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|a 9780754686804
|q (electronic bk.)
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|a 0754686809
|q (electronic bk.)
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|a 1281099295
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|a 9781281099297
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|a Emmerson, Simon.
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|a Living Electronic Music.
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|a Farnham :
|b Ashgate Pub.,
|c 2007.
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|a 1 online resource (214 pages)
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|a text
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|a Drawing on recent ideas that explore new environments and the changing situations of composition and performance, Simon Emmerson provides a significant contribution to the study of contemporary music, bridging history, aesthetics and the ideas behind evolving performance practices. Whether created in a studio or performed on stage, how does electronic music reflect what is live and living? What is it to perform 'live' in the age of the laptop? Many performer-composers draw upon a 'library' of materials but others refuse to abandon traditionally 'created and structured' electroacoustic work. Ly.
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|a Cover; Contents; List of Figures; Note on the Author; Acknowledgements; Preface and Introduction: 'Between Disciplines'; 1 Living Presence; 2 The Reanimation of the World: Relocating the 'Live'; 3 The Human Body in Electroacoustic Music: Sublimated or Celebrated?; 4 'Playing Space': Towards an Aesthetics of Live Electronics; 5 To Input the Live: Microphones and other Human Activity Transducers; 6 Diffusion-Projection: The Grain of the Loudspeaker; References; Index.
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|a Print version record.
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|a Includes bibliographical references (pages 171-185) and index.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a Electronic music
|x History and criticism.
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|a Music
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|a Musique
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|a Electronic music
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|a Music
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|a Criticism, interpretation, etc.
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|i has work:
|a Living Electronic Music (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGcFq68cGHMTQtwCDc6R8C
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