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Living Electronic Music.

Drawing on recent ideas that explore new environments and the changing situations of composition and performance, Simon Emmerson provides a significant contribution to the study of contemporary music, bridging history, aesthetics and the ideas behind evolving performance practices. Whether created i...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Emmerson, Simon
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Farnham : Ashgate Pub., 2007.
Temas:
Acceso en línea:Texto completo

MARC

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300 |a 1 online resource (214 pages) 
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520 |a Drawing on recent ideas that explore new environments and the changing situations of composition and performance, Simon Emmerson provides a significant contribution to the study of contemporary music, bridging history, aesthetics and the ideas behind evolving performance practices. Whether created in a studio or performed on stage, how does electronic music reflect what is live and living? What is it to perform 'live' in the age of the laptop? Many performer-composers draw upon a 'library' of materials but others refuse to abandon traditionally 'created and structured' electroacoustic work. Ly. 
505 0 |a Cover; Contents; List of Figures; Note on the Author; Acknowledgements; Preface and Introduction: 'Between Disciplines'; 1 Living Presence; 2 The Reanimation of the World: Relocating the 'Live'; 3 The Human Body in Electroacoustic Music: Sublimated or Celebrated?; 4 'Playing Space': Towards an Aesthetics of Live Electronics; 5 To Input the Live: Microphones and other Human Activity Transducers; 6 Diffusion-Projection: The Grain of the Loudspeaker; References; Index. 
588 0 |a Print version record. 
504 |a Includes bibliographical references (pages 171-185) and index. 
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650 0 |a Music  |x Philosophy and aesthetics. 
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650 7 |a Electronic music  |2 fast 
650 7 |a Music  |x Philosophy and aesthetics  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
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