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Screening Modernism : European Art Cinema, 1950-1980.
Casting fresh light on the renowned productions of auteurs like Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, Screening Modernism is the first comprehensive study of European art cinemas postwar heyday. Spanning from the 1950s to the 19...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago :
University of Chicago Press,
2007.
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| Colección: | Cinema and Modernity Series.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Kovcs, Andrs. | |
| 245 | 1 | 0 | |a Screening Modernism : |b European Art Cinema, 1950-1980. |
| 260 | |a Chicago : |b University of Chicago Press, |c 2007. | ||
| 300 | |a 1 online resource (441 pages) | ||
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| 490 | 1 | |a Cinema and Modernity Series | |
| 520 | |a Casting fresh light on the renowned productions of auteurs like Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, Screening Modernism is the first comprehensive study of European art cinemas postwar heyday. Spanning from the 1950s to the 1970s, Andrs Blint Kovcss encyclopedic work argues that cinematic modernism was not a unified movement with a handful of styles and themes but rather a stunning range of variations on the core principles of modern art. Illustrating how the concepts of modernism and the avant-garde variously manif. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references (pages 409-413) and index. | ||
| 505 | 0 | |a Acknowledgments; Introduction; Part One: What Is the Modern?; 1 THEORIZING MODERNISM; 2 THEORIES OF THE CLASSICAL/MODERN DISTINCTION IN THE CINEMA; Part Two: The Forms of Modernism; 3 MODERN ART CINEMA: STYLE OF MOVEMENT?; 4 NARRATION IN MODERN CINEMA; 5 GENRE IN MODERN CINEMA; 6 PATTERNS OF MODERN FORMS; 7 STYLES MODERNISM; 8 NATURALIST STYLES; 9 ORNAMENTAL STYLES; 10 THEATRICAL STYLES; 11 MODERN CINEMA TRENDS; Part Three: Appearance and Propagationof Modernism (1949-1958); 12 CRITICAL REFLEXIVITY OR THE BIRTH OF THE AUTEUR; 13 THE RETURN OF THE THEATRICAL | |
| 505 | 8 | |a 14 THE DESTABILIZATION OF THE FABULA15 AN ALTERNATIVE TO THE CLASSICAL FORM: NEOREALISM AND MODERNISM; Part Four: The Short Story of Modern Cinema (1959-1975); 16 THE ROMANTIC PERIOD, 1959-1961; 17 ESTABLISHED MODERNISM, 1962-1966; 18 THE YEAR 1966; 19 POLITICAL MODERNISM, 1967-1975; 20 "The Death of the Auteur"; Appendix: A Chronology of Modern Cinema; Selected Bibliography; Index of Names and Movie Titles | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Modernism (Aesthetics) |z Europe. | |
| 650 | 0 | |a Motion pictures |z Europe |x History. | |
| 650 | 6 | |a Modernisme (Esthétique) |z Europe. | |
| 650 | 6 | |a Cinéma |z Europe |x Histoire. | |
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| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a Europe |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq | |
| 653 | |a bresson, fellini, antonioni, auteurs, art cinema, postwar, europe, avant-garde, modernism, film, deleuze, form, narration, alienation, chance, individual, isolation, community, sartre, eclipse, melodrama, continuity, discontinuity, genre parody, satire, wandering, investigation, verite, new wave, nouveau roman, abstraction, reflexivity, prison, bergman, voice over, noir, rashomon, hitchcock, jerzy kawalerowicz, marienbad, hiroshima, grotesque, teorema. | ||
| 655 | 7 | |a History |2 fast | |
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