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Deleuze and the Cinemas of Performance : Powers of Affection.
This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relev...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
2008.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover
- Copyright
- Contents
- Acknowledgments
- Introduction: Cinema and the Affective-Performative
- From representation to performance
- Deleuze and performance: the affective-expressive event
- Genre and the affective-performative
- Trajectory
- 1. Animated Fetishes
- Ruling out expression: feminist theories of spectacleand performativity
- Imitation of Life
- Sadomasochism, a shock to thought
- Written on the Wind: lethal powers of the fetish
- The Tarnished Angels: Bakhtinian carnivalesque asDeleuzian affective shock
- Notes
- 2. Choreographies of Affect
- Fassbinders Brechtian aesthetics: in the realmof the emotions
- Between Brecht and Artaud: The Marriage of Maria Braun
- Cruel performance: The Bitter Tears of Petra von Kant
- Notes
- 3. Dancing Feminisms
- Thriller: counter-narcissistic performance
- The thrill of tango: Potters narcissistic performance
- Notes
- 4. Kinesthetic Seductions
- Nnette and Boni: a disorder of the senses
- Beau Travail: performing the narrative of seduction
- Friday Night: a line of flight against all odds
- Let the film love you
- Notes
- 5. Powers of the False
- Affective contagion
- An affective unconscious: asymmetrical resonances
- Creative forgers
- At the limits of genre
- Notes
- Conclusion: Everything is "Yes"
- Works Cited
- Index.