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Communication in Eighteenth-Century Music.
Ten leading scholars of music explore the nature of musical communication in the eighteenth century.
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leiden :
Cambridge University Press,
2008.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Communication and the market.
- Part I : Communication and verisimilitude in the eighteenth century / Paul Cobley
- Listening to listeners / Mark Evan Bonds
- Mannichfaltige Abweichungen von der gewohnlichen Sonaten-form : Beethoven's 'piano-solo' op. 31 no. 1 and the challenge of communication / Claudia Maurer Zenck
- Part II : Musical grammar
- Metre, phrase structure and manipulations of musical beginnings / Danuta Mirka
- National metrical types in music of the eighteenth and early nineteenth centuries / William Rothstein
- Schoenberg's 'second melody', or, 'Meyer-ed' in the bass / William E. Caplin
- Part III : Rhetorical form and topical decorum
- A metaphoric model of sonata form : two expositions by Mozart / Michael Spitzer
- Beethoven's op. 18 no. 3, first movement : two readings, with a comment on analysis / Kofi Agawu
- Mozart's K331, first movement : once more, with feeling / Wye J. Allanbrook
- Dance topoi, sonic analogs and musical grammar : communicating with music in the eighteenth century / Lawrence M. Zbikowski.