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People Have Never Stopped Dancing : Native American Modern Dance Histories.
In this first major study of contemporary Native American dance, Jacqueline Shea Murphy shows how these concert performances are at once diverse and connected by common influences. Illustrating how Native dance enacts cultural connections to land, ancestors, and animals, as well as spiritual and pol...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
2007.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Murphy, Jacqueline Shea. | |
| 245 | 1 | 0 | |a People Have Never Stopped Dancing : |b Native American Modern Dance Histories. |
| 260 | |a Minneapolis : |b University of Minnesota Press, |c 2007. | ||
| 300 | |a 1 online resource (330 pages) | ||
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| 520 | |a In this first major study of contemporary Native American dance, Jacqueline Shea Murphy shows how these concert performances are at once diverse and connected by common influences. Illustrating how Native dance enacts cultural connections to land, ancestors, and animals, as well as spiritual and political concerns, Shea Murphy challenges stereotypes and offers new ways of recognizing the agency of bodies on stage. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Introduction: Dance as Document; Part I. Restrictions, Regulations, Resiliences; 1. Have They a Right? Nineteenth-Century Indian Dance Practices and Federal Policy; 2. Theatricalizing Dancing and Policing Authenticity; 3. Antidance Rhetoric and American Indian Arts in the 1920s; Part Ii. Twentieth-Century Modern Dance; 4. Authentic Themes: Modern Dancers and American Indians in the 1920s and 1930s; 5. Her Point of View: Martha Graham and Absent Indians; 6. Held in Reserve: Jos©♭ Lim©đn, Tom Two Arrows, and American Indian Dance in the 1950s; Part Iii. Indigenous Choreographers Today. | |
| 505 | 8 | |a 7. The Emergence of a Visible Native American Stage Dance8. Aboriginal Land Claims and Aboriginal Dance at the End of the Twentieth Century; 9. We're Dancing: Indigenous Stage Dance in the Twenty-first Century; Acknowledgments; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Indian dance |z United States |x History |y 20th century. | |
| 650 | 0 | |a Modern dance |z United States |x History |y 20th century. | |
| 650 | 6 | |a Danses des Peuples autochtones |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 7 | |a PERFORMING ARTS |x Dance |x Modern. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Dance |x Classical & Ballet. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Ethnic Studies |x Native American Studies. |2 bisacsh | |
| 650 | 7 | |a Indian dance |2 fast | |
| 650 | 7 | |a Modern dance |2 fast | |
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| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a The people have never stopped dancing (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH8QkXfbfmTTwVDKQrVMxC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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