Literature and Material Culture from Balzac to Proust : the Collection and Consumption of Curiosities.

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Janell Watson shows how the sudden prominence given to curiosities and collecting in nineteenth-century literarature signals a massive change in attitudes to the world of goods, which in turn made a great impact on literary texts. Her study makes an important contribution to the literary history of...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Watson, Janell
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge : Cambridge University Press, 2000.
Colección:Cambridge Studies in French, 62.
Temas:
1800-1899
French literature > 19th century > History and criticism.
Art objects in literature.
Littérature française > 19e siècle > Histoire et critique.
Objets d'art dans la littérature.
Art objects in literature
French literature
Criticism, interpretation, etc.
Acceso en línea:Texto completo

MARC

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520 |a Janell Watson shows how the sudden prominence given to curiosities and collecting in nineteenth-century literarature signals a massive change in attitudes to the world of goods, which in turn made a great impact on literary texts. Her study makes an important contribution to the literary history of material culture. 
588 0 |a Print version record. 
505 0 |a Cover -- Half-title -- Series-title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- CHAPTER 1 The bibelot -- THE MULTIPLICATION OF OBJECTS -- FROM THE HOUSEHOLD TO THE COLLECTION AND BACK -- REVOLUTIONIZING THE MARKETPLACE -- NINETEENTH-CENTURY AESTHETICS -- "DES HOMMES DE MUSÉE" -- CHAPTER 2 The logic(s) of material culture -- IMITATION -- ACCUMULATION -- MOBILITY -- CHAPTER 3 The fashionable artistic interior -- THE COLLECTION AS DECOR -- FROM ANTIQUARIANISM TO AESTHETICISM: THE COLLECTOR AT HOME -- THE ARTIST AS COLLECTOR. 
505 8 |a THE HOME OF THE WRITER-AS-ARTIST -- VULGARIZED ARTISTIC INTERIORS -- GENDERING THE BIBELOT: FASHION AND SEDUCTION VERSUS ART AND ERUDITION -- COURTESANS AND ACTRESSES: SEXUALIZED INTERIORS -- BACHELORS: MACHO DOMESTICITY -- MASCULINIZING ART, FEMINIZING FASHION -- CHAPTER 4 Flaubert's "musées reçus" -- HISTORICIZING THE MUSEUM -- DOMESTICATING THE MUSEUM -- AN OVERLOOKED SPATIAL ORDER -- MIMETIC ORDER -- ARTISTIC DISORDER -- SOCIAL ORDER -- THE ORDER OF CONSUMPTION -- CHAPTER 5 Narrate, describe, or catalogue? -- LITERARY CRITICISM AND THE CATALOGUE FORM -- THE GONCOURTS: THE WRITER AS BIBELOTIER. 
505 8 |a TOWARDS AN AUTONOMY OF THINGS: LA PEAU DE CHAGRIN, MANETTE SALOMON -- ART, THE MARKET, AND THE LAW: THE CATALOGUE IN LE COUSIN PONS -- THE NOVEL AS CATALOGUE, THE HERO AS MUSEUM: A REBOURS -- CONSUMERIST CRITICISM -- CHAPTER 6 The parlour of critical theory -- DISCIPLINARY APPROACHES TO HOUSEHOLD OBJECTS -- BALZAC: A SOCIAL THEORY OF THE HOUSEHOLD INTERIOR -- PROUST ON THE BALZACIAN INTERIOR -- NORDAU: A PATHOLOGY OF THE BIBELOT-FILLED INTERIOR -- SIMMEL: THE ALIENATING EFFECTS OF FIN-DE-SIÉCLE DECOR -- BAUDRILLARD: THE END OF THE ANTHROPOMORPHIZED INTERIOR -- MARKETING READABILITY. 
505 8 |a CHAPTER 7 Rearranging the Oedipus -- I. FANTASTIC FETISHISM -- No escaping the marketplace -- Reviving dead women -- More female body parts -- II. DECADENT SIMULACRA -- Serialized sexuality -- Rearranging the patriarchal floor-plan -- Notes -- 1 THE BIBELOT -- 2 THE LOGIC(S) OF MATERIAL CULTURE -- 3 THE FASHIONABLE ARTISTIC INTERIOR -- 4 FLAUBERT'S "MUSÉES REÇUS" -- 5 NARRATE, DESCRIBE, OR CATALOGUE? -- 6 THE PARLOUR OF CRITICAL THEORY -- 7 REARRANGING THE OEDIPUS -- Bibliography -- I. LITERARY WORKS -- II. NINETEENTH-CENTURY TECHNICAL SOURCES -- III. SECONDARY SOURCES -- Index. 
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650 0 |a French literature  |y 19th century  |x History and criticism. 
650 0 |a Art objects in literature. 
650 6 |a Littérature française  |y 19e siècle  |x Histoire et critique. 
650 6 |a Objets d'art dans la littérature. 
650 7 |a Art objects in literature  |2 fast 
650 7 |a French literature  |2 fast 
648 7 |a 1800-1899  |2 fast 
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830 0 |a Cambridge Studies in French, 62. 
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