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The science of acting /
What is good acting? How does one create believable characters?. In The Science of Acting, Sam Kogan applies his theories and teaching to answering these questions. It represents a comprehensive and complete technique applying neuroscience and psychology to the role of acting. At its heart lies a un...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New York :
Routledge,
2010.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Kogan, Sam, |d 1946-2004. |1 https://id.oclc.org/worldcat/entity/E39PBJw8WYgKFTPtVFm8jPGmBP | |
| 245 | 1 | 4 | |a The science of acting / |c Sam Kogan ; edited by Helen Kogan. |
| 260 | |a London ; |a New York : |b Routledge, |c 2010. | ||
| 300 | |a 1 online resource (xxviii, 264 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a COVER; TITLE; COPYRIGHT; DEDICATION; CONTENTS; ILLUSTRATIONS; ABOUT THIS BOOK; PREFACE; ACKNOWLEDGEMENTS; INTRODUCTION; PART ONE The Foundations; ONE COMPLEXES; TWO AWARENESS; THREE EVENTS; FOUR PURPOSES; FIVE THE FORMATION OF CONSCIOUSNESS; SIX MINDPRINT; SEVEN ACTIONS; EIGHT FINISHING-OFF THINKING; NINE TEMPO-RHYTHM; PART TWO Qualities of an Actor; TEN IMAGINATION; ELEVEN ATTENTION; TWELVE FREE BODY; THIRTEEN TALENT; PART THREE Working on a Script; FOURTEEN THE TEN STEPS; A MARRIAGE PROPOSAL; AUTHOR'S AFTERWORD; FINAL WORD; APPENDIX 1 LIST OF PURPOSES AND THEIR DEFINITIONS. | |
| 520 | |a What is good acting? How does one create believable characters?. In The Science of Acting, Sam Kogan applies his theories and teaching to answering these questions. It represents a comprehensive and complete technique applying neuroscience and psychology to the role of acting. At its heart lies a unique and groundbreaking understanding of the subconscious, as well as an unparalleled insight into, and expansion of, Stanislavski's original Russian teaching. The book includes chapters on Awareness, Purposes, Events, Actions, Imagination, Free Body, Tempo-Rhythm, and Laws of Thinking, culminating. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Acting. | |
| 650 | 6 | |a Art dramatique. | |
| 650 | 7 | |a acting. |2 aat | |
| 650 | 7 | |a PERFORMING ARTS |x Acting & Auditioning. |2 bisacsh | |
| 650 | 7 | |a Acting |2 fast | |
| 700 | 1 | |a Kogan, Helen, |d 1975- | |
| 758 | |i has work: |a The science of acting (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFCqBKmxYyrmpjjCM8bgjy |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Kogan, Sam, 1946-2004. |t Science of acting. |d London ; New York : Routledge, 2010 |z 9780415488112 |z 9780415488129 |w (DLC) 2009002838 |w (OCoLC)301948040 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=452104 |z Texto completo |
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