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EBOOKCENTRAL_ocn466431378 |
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OCoLC |
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20240329122006.0 |
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m o d |
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091116s1995 nyu o 000 0 eng d |
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|a MERUC
|b eng
|e pn
|c MERUC
|d EBLCP
|d YDXCP
|d OCLCQ
|d IDEBK
|d OCLCQ
|d CUY
|d OCLCO
|d MERUC
|d ICG
|d ZCU
|d OCLCF
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OTZ
|d TKN
|d COCUF
|d DKC
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCL
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|a 476014973
|a 814458753
|a 814459755
|a 819511276
|a 821692707
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|a 9780198024378
|q (electronic bk.)
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|a 0198024371
|q (electronic bk.)
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|a 1280526793
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|a 9781280526794
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|a 1280535032
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|a 9781280535031
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|z 9780195109757
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|a (OCoLC)466431378
|z (OCoLC)476014973
|z (OCoLC)814458753
|z (OCoLC)814459755
|z (OCoLC)819511276
|z (OCoLC)821692707
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|a n-us---
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|a ML3556.F65 1995
|a ML3556.F65
|a ML3556
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|a AVM
|2 bicssc
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0 |
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|a 780.8996073
|a 781.6296073
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|a UAMI
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100 |
1 |
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|a Floyd, Samuel A.
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245 |
1 |
4 |
|a The Power of Black Music :
|b Interpreting Its History from Africa to the United States.
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260 |
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|a New York :
|b Oxford University Press,
|c 1995.
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300 |
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|a 1 online resource (329 pages)
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Contents; Introduction; 1 African Music, Religion, and Narrative; 2 Transformations; 3 Syncretization and Synthesis: Folk and Written Traditions; 4 African-American Modernism, Signifyin(g), and Black Music; 5 The Negro Renaissance: Harlem and Chicago Flowerings; 6 Transitions: Function and Difference in Myth and Ritual; 7 Continuity and Discontinuity: The Fifties; 8 The Sixties and After; 9 Troping the Blues: From Spirituals to the Concert Hall; 10 The Object of Call-Response: The Signifyin(g) Symbol; 11 Implications and Conclusions; Appendix; Printed Works Cited; Sound Recordings Cited.
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|a Films and Videotapes CitedIndex; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y.
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|a This study of the development of African-American music and its influence in America shows how African myths and ritual - especially the "ring-shout" dances that were ubiquitous in West Africa - underlie the development of all black musical forms in the USA.
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|a Print version record.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a African Americans
|x Music
|x History and criticism.
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650 |
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|a Music
|z United States
|x History and criticism.
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650 |
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|a Musique
|z États-Unis
|x Histoire et critique.
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650 |
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|a African Americans
|x Music
|2 fast
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650 |
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7 |
|a Music
|2 fast
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651 |
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|a United States
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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758 |
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|i has work:
|a The power of black music (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGxr6HWDRtttFxXWHkQYrq
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
1 |
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|z 9780195082357
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856 |
4 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=273151
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL273151
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938 |
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|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n 52679
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938 |
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|a YBP Library Services
|b YANK
|n 2996201
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994 |
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|a 92
|b IZTAP
|