The virtual life of film /

Mostrar otras versiones (1)

As almost every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media, what will happen to cinema--and...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Rodowick, David Norman
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, Mass. : Harvard University Press, 2007.
Temas:
Photography > Digital techniques.
Digital cinematography.
Cinéma numérique.
Photographie numérique.
PHOTOGRAPHY > Techniques > Cinematography & Videography.
ART > Film & Video.
PERFORMING ARTS > Film & Video > History & Criticism.
Digital cinematography
Photography > Digital techniques
Fotografie
Kultur
Audiovisuelle Medien
Film
Digitaltechnik
Filmkunst.
Digitale technieken.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • I. The virtual life of film. Futureworld
  • The incredible shrinking medium
  • Back to the future
  • II. What was cinema? Film begets video
  • The death of cinema and the birth of film studies
  • A medium in all things
  • Automatisms and art
  • Automatism and photography
  • Succession and the film strip
  • Ways of worldmaking
  • A world past
  • An ethics of time
  • III. A new landscape (without image). An elegy for film
  • The new "media"
  • Paradoxes of perceptual realism
  • Real is as real does
  • Lost in translation: analogy and index revisited
  • Simulation, or automatism as algorithm
  • An image that is not "one"
  • Two futures for electronic images, or what comes after photography?
  • The digital event
  • Transcoded ontologies, or "a guess at the riddle"
  • Old and new, or the (virtual) renascence of cinema studies.

Ejemplares similares