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On art, artists, Latin America, and other utopias /
Artist, educator, curator, and critic Luis Camnitzer has been writing about contemporary art ever since he left his native Uruguay in 1964 for a fellowship in New York City. As a transplant from the "periphery" to the "center," Camnitzer has had to confront fundamental questions...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Austin :
University of Texas Press,
©2009.
|
| Edición: | 1st ed. |
| Colección: | Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Camnitzer, Luis, |d 1937- |1 https://id.oclc.org/worldcat/entity/E39PBJxrTK4td9wX4tRFW9hbVC | |
| 245 | 1 | 0 | |a On art, artists, Latin America, and other utopias / |c Luis Camnitzer ; edited by Rachel Weiss. |
| 250 | |a 1st ed. | ||
| 260 | |a Austin : |b University of Texas Press, |c ©2009. | ||
| 300 | |a 1 online resource (1 volume) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture | |
| 505 | 0 | |a Foreword / by Rachel Weiss -- pt. I. On and against translation. Introduction. -- 1. Contemporary colonial art (1969) -- 2. The sixties (1998) -- 3. Exile (1983) -- 4. Political pop (1998) -- 5. Access to the mainstream (1987) -- 6. Wonder bread and Spanglish art (1989) -- 7. Cultural identities before and after the exit of Bureau-Communism (1991) -- 8. Art and politics : the aesthetics of resistance (1994) -- 9. The artist's role and image in Latin America (2004) -- 10. Out of geography and into the Moiré pattern (1996) -- 11. The reconstruction of Salami (2003) --12. Printmaking : a colony of the arts (1999) -- 13. My museums (1995) -- 14. The forgotten individual (1996) -- 15. Free-trade Diaspora (2003) -- pt. II. Other histories. Introduction. 16. Pedro Figari (1991) -- 17. Resoftenings and softenings in Uruguayan art (1991) -- 18. An ode to aquatint (2003) -- 19. Revisiting tautology (2006) -- 20. The Museo Latinoamericano and MICLA (1992) -- 21. Flying in weightlessness (2004) -- 22. Brazil in New York (2001) -- 23. The keeper of the lens (2005) -- 24. The two versions of Santa Anna's leg and the ethics of public art (1995) -- 25. The Biennial of Utopias (1999) -- 26. Introduction to the symposium "Art as education/Education as art" (2007) -- Index. | |
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a Artist, educator, curator, and critic Luis Camnitzer has been writing about contemporary art ever since he left his native Uruguay in 1964 for a fellowship in New York City. As a transplant from the "periphery" to the "center," Camnitzer has had to confront fundamental questions about making art in the Americas, asking himself and others: What is "Latin American art"? How does it relate (if it does) to art created in the centers of New York and Europe? What is the role of the artist in exile? Writing about issues of such personal, cultural, and indeed political import has long been an integral part of Camnitzer's artistic project, a way of developing an idiosyncratic art history in which to work out his own place in the picture. This volume gathers Camnitzer's most thought-provoking essays--"texts written to make something happen," in the words of volume editor Rachel Weiss. They elaborate themes that appear persistently throughout Camnitzer's work: art world systems versus an art of commitment; artistic genealogies and how they are consecrated; and, most insistently, the possibilities for artistic agency. The theme of "translation" informs the texts in the first part of the book, with Camnitzer asking such questions as "What is Latin America, and who asks the question? Who is the artist, there and here?" The texts in the second section are more historically than geographically oriented, exploring little-known moments, works, and events that compose the legacy that Camnitzer draws on and offers to his readers. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Art, Modern |y 20th century. | |
| 650 | 0 | |a Art, Latin American |y 20th century. | |
| 650 | 6 | |a Art |y 20e siècle. | |
| 650 | 6 | |a Art latino-américain |y 20e siècle. | |
| 650 | 7 | |a ART |x History. |2 bisacsh | |
| 650 | 7 | |a ART |x Caribbean & Latin American. |2 bisacsh | |
| 650 | 7 | |a Art, Latin American |2 fast | |
| 650 | 7 | |a Art, Modern |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 700 | 1 | |a Weiss, Rachel, |d 1954- |1 https://id.oclc.org/worldcat/entity/E39PCjvpthV4gTjqByQTtqWmBd | |
| 758 | |i has work: |a On art, artists, Latin America, and other utopias (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFP9vyHctTGvCYPkVpcPFC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Camnitzer, Luis, 1937- |t On art, artists, Latin America, and other utopias. |b 1st ed. |d Austin : University of Texas Press, ©2009 |z 9780292719767 |z 0292719760 |w (DLC) 2009012188 |w (OCoLC)317383479 |
| 830 | 0 | |a Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3443426 |z Texto completo |
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