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Beyond Auteurism : New Directions in Authorial Film Practices in France, Italy and Spain since the 1980s.

Beyond Auteurism is a comprehensive study of nine film authors from France, Italy and Spain who since the 1980s have blurred the boundaries between art-house and mainstream, and national and transnational film production. Maule examines how the individuals have maintained a dialectical relationship...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Maule, Rosanna
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bristol : Intellect, 2008.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Beyond Auteurism :  |b New Directions in Authorial Film Practices in France, Italy and Spain since the 1980s. 
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505 0 |a Front Cover; Preliminary Pages; Contents; List of Illustrations; List of Tables; Acknowledgments; Introduction; Part One: The 'Death of Cinema' and the Institutionalization of the Author; Chapter 1: The Film Author and the Survival of European Cinema; Chapter 2: The Middle Generation: Maurice Pialat, Gianni Amelio, and Ví ctor Erice; Chapter 3: The Difficult Legacy of the Nouvelle Vague: Olivier Assayas and French Film Authors at the End of Auteurism; Part Two: The Film Author in the New Audio-visual System. 
505 8 |a Chapter 4: For an Impure Cinema: Gabriele Salvatores and the Hybrid Nature of Film Authorship in Contemporary Italian CinemaChapter 5: A Different Type of Cinephilia: Alejandro Amená bar and the New Generation of Spanish Film Authors; Chapter 6: Made in Europa: Luc Besson and the Question of Cultural Exception in Post-auteur France; Part Three: The Female Author in the Era of Post-feminism; Chapter 7: Auteurism and Women's Cinema in France, Italy and Spain; Chapter 8: Female Authors. 
520 |a Beyond Auteurism is a comprehensive study of nine film authors from France, Italy and Spain who since the 1980s have blurred the boundaries between art-house and mainstream, and national and transnational film production. Maule examines how the individuals have maintained a dialectical relationship with the authorial tradition of the national cinema to which each belongs. In considering this tradition, Maule seeks to illustrate that the film author is not only the most important symbol of European cinema?s cultural tradition and commitment, but is also a crucial part of Europe?s efforts to dev. 
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650 0 |a Motion pictures  |z Spain. 
650 0 |a Motion pictures  |z Italy. 
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