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Uncanny Bodies : the Coming of Sound Film and the Origins of the Horror Genre.
Presents an argument that the coming of sound inspired more in the massively influential horror movies than screams, creaking doors, and howling wolves. This book makes a case for understanding film viewing as a force that can powerfully shape both the minutest aspects of individual films and the br...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University Presses of California, Columbia and Princeton,
2003.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Spadoni, Robert. | |
| 245 | 1 | 0 | |a Uncanny Bodies : |b the Coming of Sound Film and the Origins of the Horror Genre. |
| 260 | |a Berkeley : |b University Presses of California, Columbia and Princeton, |c 2003. | ||
| 300 | |a 1 online resource (204 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Contents; Acknowledgments; Introduction; 1 The Uncanny Body of Early Sound Film; The Shrinking of Personality; The Return of the Medium-Sensitive Viewer; The Complexion of the Thing; Shadows in Three Dimensions; A Modality; 2 Ludicrous Objects, Textualized Responses; Films as Mirrors of Viewer Response; The Hollywood Revue of 1929; Two Ventriloquism Films; Svengali; 3 The Mystery of Dracula; Real Emotional Horror Kick; The Mystery of Dracula?; The Vampire's Hiss and the Madman's Laugh; 4 Dracula as Uncanny Theater; Figure; Ground; 5 Frankenstein and the Vats of Hollywood. | |
| 505 | 8 | |a Strong Meat and Monster FoodFrankenstein and the Uncanny of Early Sound Film; Frankenstein and the Uncanny of Silent Film; From Modality to Monad; Conclusion; Notes; Bibliography; Films Cited; Index. | |
| 520 | |a Presents an argument that the coming of sound inspired more in the massively influential horror movies than screams, creaking doors, and howling wolves. This book makes a case for understanding film viewing as a force that can powerfully shape both the minutest aspects of individual films and the broadest sweep of film production trends. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Horror films |z United States |x History and criticism. | |
| 650 | 0 | |a Sound motion pictures |x History and criticism. | |
| 650 | 6 | |a Films d'horreur |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Films sonores |x Histoire et critique. | |
| 650 | 7 | |a Horror films |2 fast | |
| 650 | 7 | |a Sound motion pictures |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Uncanny bodies (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGhbdqfrDb3PqVMmB4KDMd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 1 | |z 9780520251229 | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=345572 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL345572 | ||
| 938 | |a YBP Library Services |b YANK |n 2856351 | ||
| 994 | |a 92 |b IZTAP | ||