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Sambadrama : the Arena of Brazilian Psychodrama.

There are more active practitioners and teachers of psychodrama in Brazil than anywhere else in the world, with their own strong sense of community, history and tradition. In selecting and translating their 'best work' (Adam Blatner), Zoltán Figusch offers international readers an extensi...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Figusch, Zoltán, 1974-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Jessica Kingsley Publishers, 2005.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a COVER; Sambadrama; Contents; FOREWORD BY ADAM BLATNER; FOREWORD BY JOSE FONSECA; ACKNOWLEDGEMENTS; INTRODUCTION; Part 1 The history and identity of Brazilian psychodrama; 1 The arrival of psychodrama in Brazil Its early development in the 1960s Ronaldo Pamplona Da Costa; 2 The development of psychodrama theory in Brazil Sergio Perazzo; 3 The roles of the colonized and the colonizer In search of the identity of Brazilian psychodrama José Fonseca; 4 The role of the colonizer and the colonized In search of the identity of Brazilian psychodrama Geraldo Massaro. 
505 8 |a Part 2 Theoretical innovations in Brazilian psychodrama5 The 'nucleus of the I' theory of Jaime Rojas-Bermudez Zoltán Figusch; 6 The clusters theory Dalmiro M. Bustos; 7 Digression around certain aspects of role theory Sergio Perazzo; 8 The protagonist and the protagonic theme Luís Falivene R. Alves; 9 The theatre of spontaneity and psychodrama psychotherapy Moysés Aguiar; Part 3 Innovative techniques in Brazilian psychodrama; 10 Psychogram The use. 
520 |a There are more active practitioners and teachers of psychodrama in Brazil than anywhere else in the world, with their own strong sense of community, history and tradition. In selecting and translating their 'best work' (Adam Blatner), Zoltán Figusch offers international readers an extensive overview of the work being done using this psychotherapeutic method, which enables participants to examine relationships, emotions, fears and conflicts through spontaneous role-play and improvisations with other 'actors' and with the practitioner. Divided into the three parts, the book sets the conte. 
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