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Hearing the Motet : Essays on the Motet of the Middle Ages and Renaissance.
In this collection, musicologists provide a picture of the motet's "music-poetic" nature, looking at the interplay of music and text that distinguished the genre's finest work and reading motets and motet repertories in ways that illuminate their historical and cultural backgroun...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Oxford University Press,
1998.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Contents; Contributors; Introduction; Conference Introductory Remarks; 1. The Polyphonic Progeny of an Et gaudebit: Assessing Family Relations in the Thirteenth-Century Motet; 2. Beyond Glossing: The Old Made New in me fu grief/Robin m'aime/Portare Mout; 3. Which Vitry? The Witness of the Trinity Motet from the Roman de Fauvel; 4. Polyphony of Texts and Music in the Fourteenth-Century Motet: Tribum que non abhorruit/Quoniam secta latronum/Merito hec patimur and Its "Quotations"; 5. Du Fay and the Cultures of Renaissance Florence.
- 6. For Whom the Bell Tolls: Reading and Hearing Busnoys's Anthoni usque limina7. Love and Death in the Fifteenth-Century Motet: A Reading of Busnoys's Anima mea liquefacta est/Stirps Jesse; 8. Obrecht as Exegete: Reading Factor orbis as a Christmas Sermon; 9. Conflicting Levels of Meaning and Understanding in Josquin's O admirabile commercium Motet Cycle; 10. Josquin, Good King René, and O bone et dulcissime Jesu; 11. Miracles, Motivicity, and Mannerism: Adrian Willaert'