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EBOOKCENTRAL_ocn437173143 |
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OCoLC |
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20240329122006.0 |
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m o d |
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090817s1998 nyu o 000 0 eng d |
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|a MERUC
|b eng
|e pn
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|d OCLCQ
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|d OCLCQ
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|d OCLCQ
|d ZCU
|d MERUC
|d ICG
|d OCLCQ
|d AU@
|d DKC
|d OCLCQ
|d LOA
|d OCLCO
|d EQF
|d OCLCF
|d OCLCQ
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|d OCLCQ
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|d OCLCL
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|a 476007695
|a 1048617719
|a 1259213245
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|a 9780198025740
|q (electronic bk.)
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|a 0198025742
|q (electronic bk.)
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|a 9780195129052
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|a 0195129059
|q (Trade Paper)
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|a 1280472227
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|a 9781280472220
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|a 0195351657
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|a 9780195351651
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|a 1602563616
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|a 9781602563612
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|a AU@
|b 000050963224
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|a AU@
|b 000062570763
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|a DEBBG
|b BV044120418
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|a (OCoLC)437173143
|z (OCoLC)476007695
|z (OCoLC)1048617719
|z (OCoLC)1259213245
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|a ML3275 .H4 1998eb
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082 |
0 |
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|a 782.2609
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|a UAMI
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|a Pesce, Dolores.
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|a Hearing the Motet :
|b Essays on the Motet of the Middle Ages and Renaissance.
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|a New York :
|b Oxford University Press,
|c 1998.
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300 |
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|a 1 online resource (393 pages)
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Contents; Contributors; Introduction; Conference Introductory Remarks; 1. The Polyphonic Progeny of an Et gaudebit: Assessing Family Relations in the Thirteenth-Century Motet; 2. Beyond Glossing: The Old Made New in me fu grief/Robin m'aime/Portare Mout; 3. Which Vitry? The Witness of the Trinity Motet from the Roman de Fauvel; 4. Polyphony of Texts and Music in the Fourteenth-Century Motet: Tribum que non abhorruit/Quoniam secta latronum/Merito hec patimur and Its "Quotations"; 5. Du Fay and the Cultures of Renaissance Florence.
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|a 6. For Whom the Bell Tolls: Reading and Hearing Busnoys's Anthoni usque limina7. Love and Death in the Fifteenth-Century Motet: A Reading of Busnoys's Anima mea liquefacta est/Stirps Jesse; 8. Obrecht as Exegete: Reading Factor orbis as a Christmas Sermon; 9. Conflicting Levels of Meaning and Understanding in Josquin's O admirabile commercium Motet Cycle; 10. Josquin, Good King René, and O bone et dulcissime Jesu; 11. Miracles, Motivicity, and Mannerism: Adrian Willaert'
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|a In this collection, musicologists provide a picture of the motet's "music-poetic" nature, looking at the interplay of music and text that distinguished the genre's finest work and reading motets and motet repertories in ways that illuminate their historical and cultural backgrounds.
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|a Print version record.
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|a Includes bibliographical references and index.
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546 |
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|a English.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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0 |
|a Motets
|y 500-1400
|v Congresses.
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650 |
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0 |
|a Motets
|y 15th century
|v Congresses.
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650 |
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0 |
|a Motets
|y 16th century
|v Congresses.
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650 |
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6 |
|a Motets
|y 500-1400
|v Congrès.
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650 |
|
6 |
|a Motets
|y 15e siècle
|v Congrès.
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650 |
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|a Motets
|y 16e siècle
|v Congrès.
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650 |
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|a Motets
|2 fast
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648 |
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|a 500-1599
|2 fast
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655 |
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|a Conference papers and proceedings
|2 fast
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758 |
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|i has work:
|a Hearing the motet (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGgyPD6YytYP9x74xT78md
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
1 |
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|z 9780195097092
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856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4702024
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL4702024
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938 |
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|a YBP Library Services
|b YANK
|n 2965106
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994 |
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|a 92
|b IZTAP
|