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Concepts in Film Theory.

A remarkable continuation of Dudley Andrew's classic, The Major Film Theories, this work focuses on the key concepts in film study: perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with a lucid intr...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Andrew, Dudley, 1945-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Oxford University Press, 1984.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Concepts in Film Theory. 
260 |a New York :  |b Oxford University Press,  |c 1984. 
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505 0 |a Contents; 1 The State of Film Theory; 2 Perception; 3 Representation; 4 Signification; 5 Narrative Structure; 6 Adaptation; 7 Valuation (of Genres and Auteurs); 8 Identification; 9 Figuration; 10 Interpretation; Notes; Appendix: Classified Bibliography; Index. 
520 |a A remarkable continuation of Dudley Andrew's classic, The Major Film Theories, this work focuses on the key concepts in film study: perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with a lucid introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. By providing lively explanations of theories that involve perceptual psychology and structuralism. 
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504 |a Includes bibliography: p. 212-229 and index. 
546 |a English. 
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