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The Effective Protagonist in the Nineteenth-Century British Novel : Scott, Brontë, Eliot, Wilde.

The Effective Protagonist in the Nineteenth-Century British Novel is an experiment in post-Jungian literary criticism and methodology. Its primary aim is to challenge current views about the correlation between narrative structure, gender, and the governing psychological dilemma in four nineteenth-c...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Dawson, Terence
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Farnham : Ashgate Pub., 2007.
Colección:Nineteenth Century Series.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Dawson, Terence. 
245 1 4 |a The Effective Protagonist in the Nineteenth-Century British Novel :  |b Scott, Brontë, Eliot, Wilde. 
260 |a Farnham :  |b Ashgate Pub.,  |c 2007. 
300 |a 1 online resource (313 pages) 
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490 1 |a The Nineteenth Century Series 
505 0 |a Cover; Contents; List of Figures; Acknowledgements; The Nineteenth Century General Editors' Preface; Introduction; On Critical Assumptions; On the Adjective 'Jungian'; A Post-Jungian Methodology; Anima/Animus Possession; The Effective Protagonist in the Nineteenth-Century British Novel; Objectives; PART ONE: ANIMA POSSESSION; 1. 'A Victim of his Own Contending Passions': Ivanhoe, Cedric of Rotherwood and the Logic of Romance; 2. 'Man's Deeper Nature is Soon Found Out': Psychological Typology, the Puer Aeternus, and Fear of the Feminine in The Picture of Dorian Gray. 
505 8 |a PART TWO: ANIMUS POSSESSION3. 'An Oppression Past Explaining': Wuthering Heights and the Struggle for Deliverance from the Father; 4. 'Light Enough To Trusten By': Structure and Experience in Silas Marner; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Z. 
520 |a The Effective Protagonist in the Nineteenth-Century British Novel is an experiment in post-Jungian literary criticism and methodology. Its primary aim is to challenge current views about the correlation between narrative structure, gender, and the governing psychological dilemma in four nineteenth-century British novels. The overarching argument is that the opening situation in a novel represents an implicit challenge facing not the obvious hero/heroine but the individual that Terence Dawson defines as the "effective protagonist." To illustrate his claim, Dawson pairs two sets of nov. 
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600 1 0 |a Brontë, Emily,  |d 1818-1848.  |t Wuthering Heights. 
600 1 0 |a Eliot, George,  |d 1819-1880.  |t Silas Marner. 
600 1 0 |a Scott, Walter,  |d 1771-1832.  |t Ivanhoe. 
600 1 0 |a Wilde, Oscar,  |d 1854-1900.  |t Picture of Dorian Gray. 
630 0 7 |a Ivanhoe (Scott, Walter)  |2 fast 
630 0 7 |a Picture of Dorian Gray (Wilde, Oscar)  |2 fast 
630 0 7 |a Silas Marner (Eliot, George)  |2 fast 
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650 0 |a Characters and characteristics in literature. 
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650 6 |a Roman anglais  |y 19e siècle  |x Thèmes, motifs. 
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650 7 |a English fiction  |2 fast 
650 7 |a English fiction  |x Themes, motives  |2 fast 
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