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20240329122006.0 |
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090817s2007 xx o 000 0 eng d |
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|a MERUC
|b eng
|e pn
|c MERUC
|d EBLCP
|d OCLCQ
|d ZCU
|d MERUC
|d ICG
|d OCLCO
|d OCLCF
|d OCLCQ
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|d DKC
|d OCLCQ
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|d OCLCQ
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|a 476277837
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|a 9780754681939
|q (electronic bk.)
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|a 0754681939
|q (electronic bk.)
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|a AU@
|b 000048789756
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|a DEBBG
|b BV044134892
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|a (OCoLC)437113558
|z (OCoLC)476277837
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|a PR868.C47
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|a 823.8/09352
|a 823/.80927
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|a UAMI
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1 |
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|a Dawson, Terence.
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|a The Effective Protagonist in the Nineteenth-Century British Novel :
|b Scott, Brontë, Eliot, Wilde.
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|a Farnham :
|b Ashgate Pub.,
|c 2007.
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300 |
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|a 1 online resource (313 pages)
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
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|a The Nineteenth Century Series
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|a Cover; Contents; List of Figures; Acknowledgements; The Nineteenth Century General Editors' Preface; Introduction; On Critical Assumptions; On the Adjective 'Jungian'; A Post-Jungian Methodology; Anima/Animus Possession; The Effective Protagonist in the Nineteenth-Century British Novel; Objectives; PART ONE: ANIMA POSSESSION; 1. 'A Victim of his Own Contending Passions': Ivanhoe, Cedric of Rotherwood and the Logic of Romance; 2. 'Man's Deeper Nature is Soon Found Out': Psychological Typology, the Puer Aeternus, and Fear of the Feminine in The Picture of Dorian Gray.
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|a PART TWO: ANIMUS POSSESSION3. 'An Oppression Past Explaining': Wuthering Heights and the Struggle for Deliverance from the Father; 4. 'Light Enough To Trusten By': Structure and Experience in Silas Marner; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Z.
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|a The Effective Protagonist in the Nineteenth-Century British Novel is an experiment in post-Jungian literary criticism and methodology. Its primary aim is to challenge current views about the correlation between narrative structure, gender, and the governing psychological dilemma in four nineteenth-century British novels. The overarching argument is that the opening situation in a novel represents an implicit challenge facing not the obvious hero/heroine but the individual that Terence Dawson defines as the "effective protagonist." To illustrate his claim, Dawson pairs two sets of nov.
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|a Print version record.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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600 |
1 |
0 |
|a Brontë, Emily,
|d 1818-1848.
|t Wuthering Heights.
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600 |
1 |
0 |
|a Eliot, George,
|d 1819-1880.
|t Silas Marner.
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600 |
1 |
0 |
|a Scott, Walter,
|d 1771-1832.
|t Ivanhoe.
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600 |
1 |
0 |
|a Wilde, Oscar,
|d 1854-1900.
|t Picture of Dorian Gray.
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630 |
0 |
7 |
|a Ivanhoe (Scott, Walter)
|2 fast
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630 |
0 |
7 |
|a Picture of Dorian Gray (Wilde, Oscar)
|2 fast
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630 |
0 |
7 |
|a Silas Marner (Eliot, George)
|2 fast
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630 |
0 |
7 |
|a Wuthering Heights (Brontë, Emily)
|2 fast
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650 |
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0 |
|a Characters and characteristics in literature.
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650 |
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0 |
|a English fiction
|y 19th century
|x History and criticism.
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650 |
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0 |
|a English fiction
|y 19th century
|x Themes, motives.
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650 |
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6 |
|a Roman anglais
|y 19e siècle
|x Histoire et critique.
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650 |
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6 |
|a Roman anglais
|y 19e siècle
|x Thèmes, motifs.
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650 |
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7 |
|a Characters and characteristics in literature
|2 fast
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650 |
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7 |
|a English fiction
|2 fast
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650 |
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7 |
|a English fiction
|x Themes, motives
|2 fast
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648 |
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7 |
|a 1800-1899
|2 fast
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655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
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758 |
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|i has work:
|a The effective protagonist in the nineteenth-century British novel (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGbvfRMFHy9mGqgdK7mDMd
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
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|z 9780754641353
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830 |
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0 |
|a Nineteenth Century Series.
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856 |
4 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=429700
|z Texto completo
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938 |
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|a EBL - Ebook Library
|b EBLB
|n EBL429700
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994 |
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|a 92
|b IZTAP
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