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The aesthetics of mimesis : ancient texts and modern problems /

Mimesis is one of the oldest, most fundamental concepts in Western aesthetics. This book offers a new, searching treatment of its long history at the center of theories of representational art: above all, in the highly influential writings of Plato and Aristotle, but also in later Greco-Roman philos...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Halliwell, Stephen (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, N.J. : Princeton University Press, ©2002.
Temas:
Acceso en línea:Texto completo

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245 1 4 |a The aesthetics of mimesis :  |b ancient texts and modern problems /  |c Stephen Halliwell. 
260 |a Princeton, N.J. :  |b Princeton University Press,  |c ©2002. 
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504 |a Includes bibliographical references (pages 383-417) and index. 
505 0 |a Introduction : mimesis and the history of aesthetics -- Representation and reality : Plato and mimesis -- Romantic Puritanism : Plato and the psychology of mimesis -- Mimesis and the best life : Plato's repudiation of the tragic -- More than meets the eye : looking into Plato's mirror -- Inside and outside the work of art : Aristotelian mimesis reevaluated -- The rewards of mimesis : pleasure, understanding, and emotion in Aristotle's Aesthetics -- Tragic pity : Aristotle and beyond -- Music and the limits of mimesis : Aristotle versus Philodemus -- Truth or delusion? The mimeticist legacy in Hellenistic philosophy -- Images of life : mimesis and literary criticism after Aristotle -- Renewal and transformation : Neoplatonism and mimesis -- An inheritance contested : Renaissance to modernity. 
500 |a "A Princeton University Press e-book"--Cover 
520 |a Mimesis is one of the oldest, most fundamental concepts in Western aesthetics. This book offers a new, searching treatment of its long history at the center of theories of representational art: above all, in the highly influential writings of Plato and Aristotle, but also in later Greco-Roman philosophy and criticism, and subsequently in many areas of aesthetic controversy from the Renaissance to the twentieth century. Combining classical scholarship, philosophical analysis, and the history of ideas--and ranging across discussion of poetry, painting, and music--Stephen Halliwell shows with a wealth of detail how mimesis, at all stages of its evolution, has been a more complex, variable concept than its conventional translation of "imitation" can now convey 
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