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Sound, sense, and rhythm : listening to Greek and Latin poetry /

This book concerns the way we read--or rather, imagine we are listening to--ancient Greek and Latin poetry. Through clear and penetrating analysis Mark Edwards shows how an understanding of the effects of word order and meter is vital for appreciating the meaning of classical poetry, composed for li...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Edwards, Mark W., 1929-2016
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, N.J. : Princeton University Press, ©2002.
Colección:Martin classical lectures (Unnumbered).
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Edwards, Mark W.,  |d 1929-2016.  |1 https://id.oclc.org/worldcat/entity/E39PCjvWfWPwPWFj7cKcVfbvtq 
245 1 0 |a Sound, sense, and rhythm :  |b listening to Greek and Latin poetry /  |c Mark W. Edwards. 
260 |a Princeton, N.J. :  |b Princeton University Press,  |c ©2002. 
300 |a 1 online resource (xi, 191 pages) 
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490 1 |a Martin classical lectures 
504 |a Includes bibliographical references (pages 179-187) and index. 
505 0 |a PREFACE; CHAPTER ONE: Homer I: Poetry and Speech; CHAPTER TWO: Homer II: Scenes and Summaries; CHAPTER THREE: Music and Meaning in Three Songs of Aeschylus; CHAPTER FOUR: Poetry in the Latin Language; AFTERWORD; APPENDIX A: Tennyson's Morte d'Arthur; APPENDIX B: Continuity in Mrs. Dalloway; APPENDIX C: The Performance of Homeric Episodes; APPENDIX D: Classical Meters in Modern English Verse; REFERENCES; INDEX. 
520 |a This book concerns the way we read--or rather, imagine we are listening to--ancient Greek and Latin poetry. Through clear and penetrating analysis Mark Edwards shows how an understanding of the effects of word order and meter is vital for appreciating the meaning of classical poetry, composed for listening audiences. The first of four chapters examines Homer's emphasis of certain words by their positioning; a passage from the Iliad is analyzed, and a poem of Tennyson illustrates English parallels. The second considers Homer's techniques of disguising the break in the narrative when changing a s. 
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650 0 |a Classical languages  |x Metrics and rhythmics. 
650 0 |a Classical poetry  |x History and criticism. 
650 0 |a Oral communication  |z Greece. 
650 0 |a Oral communication  |z Rome. 
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650 6 |a Poésie ancienne  |x Histoire et critique. 
650 6 |a Communication orale  |z Grèce. 
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776 0 8 |i Print version:  |a Edwards, Mark W.  |t Sound, sense, and rhythm.  |d Princeton, N.J. : Princeton University Press, ©2002  |z 0691086664  |z 9780691086668  |w (DLC) 2001021989  |w (OCoLC)45951624 
830 0 |a Martin classical lectures (Unnumbered).  |n New series. 
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