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Reason and religion in Clarissa : Samuel Richardson and 'the famous Mr. Norris, of Bemerton' /

Departing from traditional Lockean readings of Clarissa, E. Derek Taylor offers a new interpretation informed by the writings of Locke's first critic, John Norris. Alluded to throughout Richardson's novel, Norris's philosophical and religious ideas provide the rhetorical grounding for...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Taylor, Derek (E. Derek)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Farnham, UK : Ashgate, ©2009.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Reason and religion in Clarissa :  |b Samuel Richardson and 'the famous Mr. Norris, of Bemerton' /  |c E. Derek Taylor. 
260 |a Farnham, UK :  |b Ashgate,  |c ©2009. 
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504 |a Includes bibliographical references and index. 
505 0 |a Cover; Contents; Acknowledgments; Introduction: The End of Clarissa; 1 Un-Locke-ing Samuel Richardson; 2 Mary Astell, Elizabeth Carter, Clarissa Harlowe, and other "Descendants" of Norris; 3 Out-Norrised; Bibliography; Index. 
520 |a Departing from traditional Lockean readings of Clarissa, E. Derek Taylor offers a new interpretation informed by the writings of Locke's first critic, John Norris. Alluded to throughout Richardson's novel, Norris's philosophical and religious ideas provide the rhetorical grounding for Clarissa, while the arguments on behalf of women by early feminists like Mary Astell (an intellectual ally of Norris) supply the combination of progressive feminism and conservative theology that animate the text. 
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655 7 |a Criticism, interpretation, etc.  |2 fast 
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