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Big ears : listening for gender in jazz studies /

Collection of essays on the role of gender in jazz studies.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Rustin, Nichole T., Tucker, Sherrie, 1957-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2008.
Colección:Refiguring American music.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Big ears :  |b listening for gender in jazz studies /  |c edited by Nichole Rustin and Sherrie Tucker. 
260 |a Durham :  |b Duke University Press,  |c 2008. 
300 |a 1 online resource (x, 460 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Refiguring American music 
504 |a Includes bibliographical references and index. 
505 0 |a PART I. Rooting Gender in Jazz History. SEPARATED AT "BIRTH": SINGING AND THE HISTORY OF JAZZ / Lara Pellegrinelli. WITH LOVIE AND LIL: REDISCOVERING TWO CHICAGO PIANISTS OF THE 1920s / Jeffrey Taylor. GENDER, JAZZ, AND THE POPULAR FRONT / Monica Hairston. "THE BATTLE OF THE SAXES": GENDER, DANCE BANDS, AND BRITISH NATIONALISM IN THE SECOND WORLD WAR / Christina Baade. IDENTITY FOR SALE: GLENN MILLER, WYNTON MARSALIS, AND CULTURAL REPLAY IN MUSIC / Tracy McMullen -- PART II. Improvising Gender: Embodiment and Performance. FROM THE POINT OF VIEW OF THE PAVEMENT: A GEOPOLITICS OF BLACK DANCE / Jayna Brown. PERVERSE HYSTERICS: THE NOISY CRI OF LES DIABOLIQUES / Julie Dawn Smith. "BORN OUT OF JAZZ, YET EMBRACING ALL MUSIC": RACE, GENDER, AND TECHNOLOGY IN GEORGE RUSSELL'S LYDIAN CHROMATIC CONCEPT / Eric Porter. "BUT THIS MUSIC IS MINE ALREADY!": "WHITE WOMAN" AS JAZZ COLLECTOR IN THE FILM NEW ORLEANS (1947) / Sherrie Tucker. FITTING THE PART / Ingrid Monson -- PART III. Reimagining Jazz Representations. "BETTER A JAZZ ALBUM THAN LIPSTICK" (LIEBER JAZZPLATTE ALS LIPPENSTIFT): THE 1956 JAZZ PODIUM SERIES REVEALS IMAGES OF JAZZ AND GENDER IN POSTWAR GERMANY / Ursel Schlicht. EXCLUSION, OPENNESS, AND UTOPIA IN BLACK MALE PERFORMANCE AT THE WORLD STAGE JAZZ JAM SESSIONS / João H. Costa Vargas. "IT TAKES TWO PEOPLE TO CONFIRM THE TRUTH": THE JAZZ FICTION OF SHERLEY ANN WILLIAMS AND TONI CADE BAMBARA / Farah Jasmine Griffin. "BLOW, MAN, BLOW!": REPRESENTING GENDER, WHITE PRIMITIVES, AND JAZZ MELODRAMA THROUGH A YOUNG MAN WITH A HORN / Nichole T. Rustin. THE GENDERED JAZZ AESTHETICS OF THAT MAN OF MINE: THE INTERNATIONAL SWEETHEARTS OF RHYTHM AND INDEPENDENT BLACK SOUND FILM / Kristin McGee. 
588 0 |a Print version record. 
506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
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520 |a Collection of essays on the role of gender in jazz studies. 
546 |a English. 
506 |a Access restricted to Kwantlen Polytechnic University students, faculty and staff. 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Jazz  |x History and criticism. 
650 0 |a Jazz  |x Social aspects. 
650 0 |a Gender identity in music. 
650 6 |a Identité de genre dans la musique. 
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650 1 7 |a Jazz.  |2 gtt 
650 1 7 |a Vrouwen.  |2 gtt 
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650 7 |a Musiker  |x representation.  |2 kao 
650 7 |a Sångare.  |2 kao 
650 7 |a Jazz  |x genusaspekter.  |2 sao 
650 7 |a Jazz  |x sociala aspekter.  |2 sao 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a Aufsatzsammlung.  |2 gnd 
700 1 |a Rustin, Nichole T. 
700 1 |a Tucker, Sherrie,  |d 1957-  |1 https://id.oclc.org/worldcat/entity/E39PBJvxwpxJmqvyKdWk8cGWDq 
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830 0 |a Refiguring American music. 
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