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|a Big ears :
|b listening for gender in jazz studies /
|c edited by Nichole Rustin and Sherrie Tucker.
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|a Durham :
|b Duke University Press,
|c 2008.
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|a 1 online resource (x, 460 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
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|a online resource
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|a Refiguring American music
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|a Includes bibliographical references and index.
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|a PART I. Rooting Gender in Jazz History. SEPARATED AT "BIRTH": SINGING AND THE HISTORY OF JAZZ / Lara Pellegrinelli. WITH LOVIE AND LIL: REDISCOVERING TWO CHICAGO PIANISTS OF THE 1920s / Jeffrey Taylor. GENDER, JAZZ, AND THE POPULAR FRONT / Monica Hairston. "THE BATTLE OF THE SAXES": GENDER, DANCE BANDS, AND BRITISH NATIONALISM IN THE SECOND WORLD WAR / Christina Baade. IDENTITY FOR SALE: GLENN MILLER, WYNTON MARSALIS, AND CULTURAL REPLAY IN MUSIC / Tracy McMullen -- PART II. Improvising Gender: Embodiment and Performance. FROM THE POINT OF VIEW OF THE PAVEMENT: A GEOPOLITICS OF BLACK DANCE / Jayna Brown. PERVERSE HYSTERICS: THE NOISY CRI OF LES DIABOLIQUES / Julie Dawn Smith. "BORN OUT OF JAZZ, YET EMBRACING ALL MUSIC": RACE, GENDER, AND TECHNOLOGY IN GEORGE RUSSELL'S LYDIAN CHROMATIC CONCEPT / Eric Porter. "BUT THIS MUSIC IS MINE ALREADY!": "WHITE WOMAN" AS JAZZ COLLECTOR IN THE FILM NEW ORLEANS (1947) / Sherrie Tucker. FITTING THE PART / Ingrid Monson -- PART III. Reimagining Jazz Representations. "BETTER A JAZZ ALBUM THAN LIPSTICK" (LIEBER JAZZPLATTE ALS LIPPENSTIFT): THE 1956 JAZZ PODIUM SERIES REVEALS IMAGES OF JAZZ AND GENDER IN POSTWAR GERMANY / Ursel Schlicht. EXCLUSION, OPENNESS, AND UTOPIA IN BLACK MALE PERFORMANCE AT THE WORLD STAGE JAZZ JAM SESSIONS / João H. Costa Vargas. "IT TAKES TWO PEOPLE TO CONFIRM THE TRUTH": THE JAZZ FICTION OF SHERLEY ANN WILLIAMS AND TONI CADE BAMBARA / Farah Jasmine Griffin. "BLOW, MAN, BLOW!": REPRESENTING GENDER, WHITE PRIMITIVES, AND JAZZ MELODRAMA THROUGH A YOUNG MAN WITH A HORN / Nichole T. Rustin. THE GENDERED JAZZ AESTHETICS OF THAT MAN OF MINE: THE INTERNATIONAL SWEETHEARTS OF RHYTHM AND INDEPENDENT BLACK SOUND FILM / Kristin McGee.
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|a Print version record.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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583 |
1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Collection of essays on the role of gender in jazz studies.
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|a English.
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|a Access restricted to Kwantlen Polytechnic University students, faculty and staff.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Jazz
|x History and criticism.
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|a Jazz
|x Social aspects.
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|a Gender identity in music.
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|a Identité de genre dans la musique.
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|a MUSIC
|x Genres & Styles
|x Jazz.
|2 bisacsh
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|a Jazz
|2 fast
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|a Jazz
|x Social aspects
|2 fast
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|a Jazz
|2 gnd
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|a Geschlechterforschung
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|a Sekseverschillen.
|2 gtt
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|a Jazz.
|2 gtt
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|a Vrouwen.
|2 gtt
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|a Musik
|x jazz
|x genus.
|2 kao
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|a Musiker
|x representation.
|2 kao
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|a Sångare.
|2 kao
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|a Jazz
|x genusaspekter.
|2 sao
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|a Jazz
|x sociala aspekter.
|2 sao
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|a Criticism, interpretation, etc.
|2 fast
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|a Aufsatzsammlung.
|2 gnd
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|a Rustin, Nichole T.
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|a Tucker, Sherrie,
|d 1957-
|1 https://id.oclc.org/worldcat/entity/E39PBJvxwpxJmqvyKdWk8cGWDq
|
758 |
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|i has work:
|a Big ears (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGXqgrwrpWJFfCFq78MHG3
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|t Big ears.
|d Durham : Duke University Press, 2008
|w (DLC) 2008028462
|w (OCoLC)209335152
|
830 |
|
0 |
|a Refiguring American music.
|
856 |
4 |
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|z Texto completo
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