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Ulrike Ottinger : the autobiography of art cinema /
Since 1974, German filmmaker Ulrike Ottinger has created a substantial body of films that explore a world of difference defined by the tension and transfer between settled and nomadic ways of life. In many of her films, including Exile Shanghai, an experimental documentary about the Jews of Shanghai...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
©2008.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Rickels, Laurence A., |e author. | |
| 245 | 1 | 0 | |a Ulrike Ottinger : |b the autobiography of art cinema / |c Laurence A. Rickels. |
| 260 | |a Minneapolis : |b University of Minnesota Press, |c ©2008. | ||
| 300 | |a 1 online resource (xvi, 207 pages) : |b illustrations | ||
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| 505 | 0 | |a Bouncing bio. Laocoon and sons ; Berlin fever: Wolf Vostell ; The infatuation of the blue sailors -- Satanic arts. Madame X: an absolute ruler -- Between media. Ticket of no return -- Hit and miss. Freak Orlando -- Operation art. The image of Dorian Gray in the Yellow Press -- The art of everyday life. China: the arts: everyday life ; Superbia ; Usinimage -- Johanna's Ark; or, documentary film's covenant with art cinema. Johanna d' Arc of Mongolia ; Real time travel ; Taiga -- I was there. Countdown ; Exit Shanghai -- Curtains. Das Verlobungsfest im Feenreich -- My last interview with Ulrike Ottinger. Southeast passage ; Ester ; The exemplar ; Twelve chairs -- Totem taboo. "Totem" -- Going ape. Prater. | |
| 504 | |a Includes bibliographical references (pages 197-207). | ||
| 520 | |a Since 1974, German filmmaker Ulrike Ottinger has created a substantial body of films that explore a world of difference defined by the tension and transfer between settled and nomadic ways of life. In many of her films, including Exile Shanghai, an experimental documentary about the Jews of Shanghai, and Joan of Arc of Mongolia, in which passengers on the Trans-Siberian Express are abducted by Mongolian bandits, she also probes the encounter with the other, whether exotic or simply unpredictable. In Ulrike Ottinger Laurence A. Rickels offers a series of sensitive and original analyses of Ottin. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Ottinger, Ulrike, |d 1942- |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Ottinger, Ulrike, |d 1942- |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJgRVHcgWFP9YXwrgVPfbd |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Ulrike Ottinger (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGvj7Hyt9dJQP8h939MWrC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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