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Digital baroque : new media art and cinematic folds /

In this intellectually groundbreaking work, Timothy Murray investigates a paradox embodied in the book's title: What is the relationship between digital, in the form of new media art, and baroque, a highly developed early modern philosophy of art? Making an exquisite and unexpected connection b...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Murray, Timothy
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis : University of Minnesota Press, ©2008.
Colección:Electronic mediations ; v. 26.
Temas:
Acceso en línea:Texto completo

MARC

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490 1 |a Electronic mediations ;  |v v. 26 
504 |a Includes bibliographical references (pages 261-290) and index. 
505 0 |a Preface; Acknowledgments; Introduction: Baroque Folds and Digital Incompossibilities; I. From Video Black to Digital Baroque; II. Digital Deleuze: Baroque Folds of Shakespearean Passage; III. Present Past: Digitality, Psychoanalysis, and the Memory of Cinema; IV. Scanning the Future; Notes; Publication History; Index. 
520 |a In this intellectually groundbreaking work, Timothy Murray investigates a paradox embodied in the book's title: What is the relationship between digital, in the form of new media art, and baroque, a highly developed early modern philosophy of art? Making an exquisite and unexpected connection between the old and the new, Digital Baroque analyzes the philosophical paradigms that inform contemporary screen arts. Examining a wide range of art forms, Murray reflects on the rhetorical, emotive, and social forces inherent in the screen arts' dialogue with early modern concepts. Among the works discu. 
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650 0 |a Civilization, Baroque. 
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