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Surrealist women : an international anthology /
Surrealist Women displays the range and significance of women's contributions to surrealism. Penelope Rosemont, affiliated with the Paris Surrealist Group in the 1960s and now a Chicago poet and painter, has assembled nearly three hundred texts by ninety-six women from twenty-eight countries. S...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Athlone Press,
1998.
|
| Colección: | Surrealist revolution series.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Surrealist women : |b an international anthology / |c edited with introductions by Penelope Rosemont. |
| 260 | |a London : |b Athlone Press, |c 1998. | ||
| 300 | |a 1 online resource (lx, 516 pages) : |b illustrations, facsimiles | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Surrealist revolution series | |
| 504 | |a Includes bibliographical references (pages 471-504) and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a Surrealist Women displays the range and significance of women's contributions to surrealism. Penelope Rosemont, affiliated with the Paris Surrealist Group in the 1960s and now a Chicago poet and painter, has assembled nearly three hundred texts by ninety-six women from twenty-eight countries. She opens the book with a succinct summary of surrealism's basic aims and principles, followed by a discussion of the place of gender in the origins of the movement. The texts are organised into historical periods ranging from the 1920s to the present, with introductions describing trends in the movement f. | ||
| 505 | 0 | |a List of Illustrations; Acknowledgments; INTRODUCTION: All My Names Know Your Leap: Surrealist Women and Their Challenge; Notes on Individuals Frequently Cited in This Anthology; 1. The First Women Surrealists, 1924-1929; INTRODUCTION: The Women of La Révolution surréaliste; Dream: I Am in a Field; Surrealist Text: This Took Place in the Springtime; The Exquisite Corpses; Surrealist Text: I Went into a Green Song; Surrealist Text: Ivory Blue and Shady Satin; Surrealist Manifestation at the Diaghilev Ballet; The Beginnings of the Surrealist Revolution. | |
| 505 | 8 | |a Surrealism, Ethnography, and RevolutionThe Blue Wind; I Go, the Wind Pushing Me Along; Purity! Purity! Purity!; On Love: Reply to an Inquiry; My Passage in Surrealism; When It Comes to Love: Response to an Inquiry; Surrealist Games; 2. In the Service of Revolution, 1930-1939; INTRODUCTION: Women and Surrealism in the Thirties; Captive Balloon; The Invisible Adventure; Poetry Keeps Its Secret; Surrealism and Working-Class Emancipation; From life I still expect that overwhelming experience; Beware Domestic Objects!; How Come, White Man?; The Scottsboro Case; A Trip to Harlem. | |
| 505 | 8 | |a Pale Blue Line in a Forced EpisodeHalf-Season; Foreign Land; The Empty Cage; The Little Girl of the Black Forest; Experimental Research: On the Irrational Knowledge of the Object: The Crystal Ball of the Seers; Surrealism as Manifest in My Work; Where Is the Wagon Going?; If You Say the Right Word, I Can Sing; Anyone That Sees Her White Fingers; A Revolutionary Approach to Life and the World; Arrogant Hair; The Ghost of Chateaubriand; A Community of Ethical Views; Four Poems from On the Bare Ground; Despair; Hourglass Lying Down; There Is the Fire; The Datura the Serpent; To a Woman to a Path. | |
| 505 | 8 | |a I Have Done My Best For YouAm I a Surrealist?; Women and the Spanish Revolution; You Came down from the Mountains ... ; When He Went Away ... ; The One Seated on the Stones of Cheops ... ; Frenzy, Sweet Little Child, You Sleep ... ; The Sand Camel; What We Put in Prison; The Scientific Aspect of Surrealism; Surrealist Art; On the Importance of Fantasy Life; Poetry and Dance; What Do I Need to Paint a Picture?; The Noise Will Start Tomorrow; 3. Neither Your War nor Your Peace: THE SURREALIST INTERNATIONAL, 1940-1945; INTRODUCTION: Women in the Surrealist Diaspora: First Principles and New Beginnings. | |
| 505 | 8 | |a André Breton, PoetDiscontent of a Civilization; 1943: Surrealism and Us; The Domain of the Marvelous; Perchance to Dream; Women and Love through Private Property; I Paint My Own Reality; From Her Journal; Beautiful as ... ; The Buckets in My Head ... ; Where Will the Earth Fall?; Down Below; Photography and Image; Scissors Strokes by the Clock ... ; I Prefer Your Uneasiness Like a Dark Lantern ... ; Unpublished Correspondence; The Philosophers'' Stone; The Lake; Eardrops from Babylon; Complaint for a Sorcerer; Womb; Round the World with the Rumpus God ... | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
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| 650 | 0 | |a Arts, Modern. | |
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| 650 | 6 | |a Femmes artistes |x Psychologie. | |
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| 776 | 0 | 8 | |i Print version: |t Surrealist women. |d London : Athlone Press, 1998 |z 0485300885 |z 9780485300888 |w (OCoLC)40395927 |
| 830 | 0 | |a Surrealist revolution series. | |
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