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The hip hop wars : what we talk about when we talk about hip hop--and why it matters /
From the Publisher: Hip-hop is in crisis. For the past dozen years, the most commercially successful hip-hop has become increasingly saturated with caricatures of black gangstas, thugs, pimps, and 'hos. The controversy surrounding hip-hop is worth attending to and examining with a critical eye...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
BasicCivitas,
©2008.
|
| Colección: | African American music reference.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Rose, Tricia. | |
| 245 | 1 | 4 | |a The hip hop wars : |b what we talk about when we talk about hip hop--and why it matters / |c Tricia Rose. |
| 260 | |a New York : |b BasicCivitas, |c ©2008. | ||
| 300 | |a 1 online resource (xii, 308 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references (pages 289-291) and index. | ||
| 505 | 0 | |a Preface -- Introduction -- Part 1: Top Ten Debates In Hip Hop -- Hip hop's critics -- 1: Hip hop causes violence -- 2: Hip hop reflects black dysfunctional ghetto culture -- 3: Hip hop hurts black people -- 4: Hip hop is destroying America's values -- 5: Hip hop demeans women -- Hip hop's defenders -- 6: Just keeping it real -- 7: Hip hop is not responsible for sexism -- 8: There are bitches and hoes -- 9: We're not role models -- 10: Nobody talks about the positive in hip hop -- Part 2: Progressive Futures -- 11: Mutual denials in the hip hop wars -- 12: Progressive voices, energies, and visions -- 13: Six guiding principles for progressive creativity, consumption, and community in hip hop and beyond -- Appendix: Radio station consolidation -- Acknowledgments -- Notes -- Bibliography -- Index. | |
| 520 | |a From the Publisher: Hip-hop is in crisis. For the past dozen years, the most commercially successful hip-hop has become increasingly saturated with caricatures of black gangstas, thugs, pimps, and 'hos. The controversy surrounding hip-hop is worth attending to and examining with a critical eye because, as scholar and cultural critic Tricia Rose argues, hip-hop has become a primary means by which we talk about race in the United States. In The Hip-Hop Wars, Rose explores the most crucial issues underlying the polarized claims on each side of the debate: Does hip-hop cause violence, or merely reflect a violent ghetto culture? Is hip-hop sexist, or are its detractors simply anti-sex? Does the portrayal of black culture in hip-hop undermine black advancement? A potent exploration of a divisive and important subject, The Hip-Hop Wars concludes with a call for the regalvanization of the progressive and creative heart of hip-hop. What Rose calls for is not a sanitized vision of the form, but one that more accurately reflects a much richer space of culture, politics, anger, and yes, sex, than the current ubiquitous images in sound and video currently provide. | ||
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 546 | |a English. | ||
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| 830 | 0 | |a African American music reference. | |
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