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|a Salzman, Eric.
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|a The new music theater :
|b seeing the voice, hearing the body /
|c Eric Salzman and Thomas Desi.
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260 |
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|a Oxford ;
|a New York :
|b Oxford University Press,
|c ©2008.
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|a 1 online resource (viii, 408 pages) :
|b illustrations
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|a data file
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|a Includes bibliographical references (pages 377-381) and index.
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|a Music in music theater. The voice ; Where the sound comes from ; Entr'acte I : Is there such a thing as progress in opera or music theater? ; The music -- Theater in music theater. Cultural narratives and performance institutions ; Entr'acte II : A woman's earring, a diamond necklace, a knee, a yogi in meditation, drawing, a Mahout looking after an elephant: the language of Kathakali ; Text ; Visual strategies ; Space ; Entr'acte III : A theater of warm bodies? -- Putting it all together : la mise en scène. The American eccentrics ; Music theater as musiktheater ; From the homeland : teatro musicale ; Théâtre musical ; Music theater in Northern Europe ; Entr'acte IV : The art form that never happened ; Downtown ; Minimalism and music theater ; The show must go on ; The art of the in-between ; Extended voice ; New media and music theater ; Entr'acte V: And how did you like it? -- After the show : taking it apart. Toward a theory of the new music theater ; Notation versus improvisation? ; Popular or high art? ; Is anyone listening?
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|a Introduction: What is Music Theater?. Part I: Music in Music Theater. 1. The Voice. 2. Where the Sound Comes From. 3. The Music. Entr'acte I: Is there such a thing as progress in music and music theater?. Part II: Theater in Music Theater. 4. Theater, Music, and Culture. 5. Text. Entr'acte II: The Language of Kathakali. 6. Visual Strategies. 7. Space. Entr'acte III: A Theater of Warm Bodies?. Part III: Putting it all together: La Mise en Scene. 8. The American Eccentrics. 9. Germany and Austria. 10. The Italians. Entr'acte IV: The In Between. 11. Music Theater in France. 12. Great Britain and.
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|a Print version record.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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533 |
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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538 |
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
|
583 |
1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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546 |
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|a English.
|
590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
|
0 |
|a Music theater
|y 20th century
|x History and criticism.
|
650 |
|
6 |
|a Théâtre musical contemporain
|y 20e siècle
|x Histoire et critique.
|
650 |
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|a PERFORMING ARTS
|x Theater
|x General.
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|a Music theater
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|a Music theater
|x History
|y 20th century
|2 nli
|
650 |
|
7 |
|a Dramatic music
|y 20th century
|x History and criticism
|2 nli
|
648 |
|
7 |
|a 1900-1999
|2 fast
|
648 |
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7 |
|a Geschichte (1900-2000)
|2 swd
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655 |
|
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|a Criticism, interpretation, etc.
|2 fast
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|
7 |
|a Authors' presentation inscriptions (Provenance)
|2 rbprov
|
700 |
1 |
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|a Dézsy, Thomas,
|d 1967-
|1 https://id.oclc.org/worldcat/entity/E39PBJccdrWmqFPxhfHmQW6Yfq
|
758 |
|
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|i has work:
|a The new music theater (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGPHTDtmxqymqWfWvGwMxC
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
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|i Print version:
|a Salzman, Eric.
|t New music theater.
|d Oxford ; New York : Oxford University Press, ©2008
|z 9780195099362
|z 0195099362
|w (DLC) 2007042353
|w (OCoLC)174501554
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856 |
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