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The making of theatrical reputations : studies from the modern London theatre /
Today's successful plays and playwrights achieve their prominence not simply because of their intrinsic merit but because of the work of mediators, who influence the whole trajectory of a playwright's or a theatre company's career. Critics and academic writers are primarily considered...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Iowa City, Iowa :
University of Iowa Press,
©2008.
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| Colección: | Studies in theatre history and culture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Zarhy-Levo, Yael, |d 1948- |1 https://id.oclc.org/worldcat/entity/E39PCjvX8gCVmwYGdchQXkcRTd | |
| 245 | 1 | 4 | |a The making of theatrical reputations : |b studies from the modern London theatre / |c Yael Zarhy-Levo. |
| 260 | |a Iowa City, Iowa : |b University of Iowa Press, |c ©2008. | ||
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| 490 | 1 | |a Studies in theatre history & culture | |
| 504 | |a Includes bibliographical references (pages 257-277) and index. | ||
| 505 | 0 | |a Introduction -- 1. Convergent forces: the English Stage Company and Look Back in Anger -- 2. Divergent forces : Theatre Workshop -- 3. John Arden : the playwright who wouldn't play ball -- 4. Harold Pinter : who controls the playwright's image? -- Conclusion -- Notes -- Bibliography -- Index. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Today's successful plays and playwrights achieve their prominence not simply because of their intrinsic merit but because of the work of mediators, who influence the whole trajectory of a playwright's or a theatre company's career. Critics and academic writers are primarily considered the makers of reputations, but funding organizations and various media agents as well as artistic directors, producers, and directors also pursue separate agendas in shaping the reputations of theatrical works. In The Making of Theatrical Reputations Yael Zarhy-Levo demonstrates the processes through which these. | ||
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| 600 | 1 | 7 | |a Pinter, Harold, |d 1930-2008 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxH3jmQfdVGxhV8mFqvpP |
| 650 | 0 | |a Dramatic criticism |z England |z London |y 20th century |x Influence. | |
| 650 | 0 | |a Theater critics |z England |z London |y 20th century. | |
| 650 | 0 | |a Theater |z England |z London |x Public opinion |y 20th century. | |
| 650 | 0 | |a Theater |x Public relations |z England |z London |y 20th century. | |
| 650 | 0 | |a Theater |x Production and direction |z England |z London |y 20th century |v Case studies. | |
| 650 | 0 | |a Dramatists |x Appreciation |z England |z London |y 20th century |v Case studies. | |
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| 650 | 6 | |a Théâtre |x Production et mise en scène |z Angleterre |z Londres |y 20e siècle |v Études de cas. | |
| 650 | 6 | |a Dramaturges |x Appréciation |z Angleterre |z Londres |y 20e siècle |v Études de cas. | |
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| 830 | 0 | |a Studies in theatre history and culture. | |
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