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Frail-craft /

Jessica Fisher's Frail-Craft is winner of the 2006 Yale Series of Younger Poets competition and judge Louise Glück's fourth selection for the series. The book and the dream are the poet's primary objects of investigation here. Through deft, quietly authoritative lyrics, Fisher medita...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Fisher, Jessica
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Haven : Yale University Press, ©2007.
Colección:Yale series of younger poets ; v. 101.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Frail-craft /  |c Jessica Fisher ; foreword by Louise Glück. 
260 |a New Haven :  |b Yale University Press,  |c ©2007. 
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490 1 |a Yale series of younger poets ;  |v v. 101 
504 |a Includes bibliographical references. 
505 0 |a Journey -- Lullaby -- Love's vicissitudes -- A riddle for the body -- Nonsight: 1. Spiral jetty -- 2. Sun tunnels -- 3. Canal -- Memory burn -- June -- The borrowed door: Castaway -- 2. Inscape -- 3. Mislaid -- Now--the parade -- The wedding -- West 12th Street -- Three dreams -- Dream for my other brother -- Errata -- The residual -- Ten boats -- Love cried me a river -- Love letter -- The sermon -- The change -- Flayed -- Frail-craft -- Water, voda -- Looking for you in the OED -- Song -- Novella -- The promise of Nostos -- The right to pleasure -- Tide -- Reckless -- Brancusi's heads -- Debate: 1. Conjecture -- 2. Against conjecture -- The indistinguishability of brothers -- Reading to know you -- My Russian lullaby -- The hunger for form -- Stereography: 1. Winter expedition -- 2. Downstream -- 3. Augury -- 4. Gorge -- 5. View from Western Summit -- 6. Half stereograph of Fallen Leaf Lake -- 7. Pioneer's Cabin, Near Grove. 
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546 |a English. 
520 |a Jessica Fisher's Frail-Craft is winner of the 2006 Yale Series of Younger Poets competition and judge Louise Glück's fourth selection for the series. The book and the dream are the poet's primary objects of investigation here. Through deft, quietly authoritative lyrics, Fisher meditates on the problems and possibilities-the frail craft-of perception for the reader, the dreamer, maintaining that "if the eye can love-and it can, it does-then I held you and was held." In her foreword to the book, Louise Glück writes that Fisher's poetry is "haunting, elusive, luminous, its greatest mystery how plain-spoken it is. Sensory impressions, which usually serve as emblems of or connections to emotion, seem suddenly in this work a language of mind, their function neither metonymic nor dramatic. They are like the dye with which a scientist injects his specimen, to track some response or behavior. Fisher uses the sense this way, to observe how being is converted into thinking." 
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