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European cinemas, European societies 1939-1990 /
Pierre Sorlin looks at the way the nations of Europe have expressed their cultural individuality in film, and shows how the impact of a common evolution towards federalism can be detected in films.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
[Place of publication not identified] :
Taylor & Francis eBooks,
1991.
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| Colección: | Studies in film, television, and the media.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- BOOK COVER
- HALF-TITLE
- TITLE
- COPYRIGHT
- CONTENTS
- ACKNOWLEDGEMENTS
- INTRODUCTION: IMAGES IN SOCIETIES
- 1 THE COMING WAR
- WAR AS AN END
- WAR AS A STARTING-POINT
- BEYOND THE FRONT LINE
- ON THE FRONT LINE
- IMAGES IN AN UNSETTLED EUROPE
- 2 RESISTANCE
- HOW THE �VISUAL� CHANGES
- AN ENGLISH MODEL?
- RESISTANCE, FILMS, POLITICS
- 3 A GOLDEN AGE
- VISITING THE PICTURE-HOUSES
- HOLLYWOOD, BUSINESS AND MYTHOLOGY
- EUROPE, TRADITIONS AND DIVISIONS
- 4 THE BLURRED IMAGE OF CITIES
- A POLARIZED IMAGE
- NEOREALISM OR THE COMPLEXITY OF URBAN RELATIONSHIPSSHANTY TOWNS: A THIRD WORLD?
- THE END OF CITIES
- 5 CHALLENGING HOLLYWOOD
- THE WATERSHED OF THE 1960s
- THE LONELINESS OF THE CINEMA-GOER
- TWO OR THREE THINGS WE KNOW ABOUT THEM
- 6 A TIME FOR REVISIONS
- TELEVISION, CINEMA, HISTORY
- THE RETURN OF THE REPRESSED
- FROM FIGURAL NETWORKS�
- �TO SOCIAL ISSUES
- A WOMAN IS A WOMAN
- CONCLUSION: MOVING PICTURES: CONCEPTION/CONSUMPTION
- NOTES
- SELECT BIBLIOGRAPHY
- GUIDES AND CATALOGUES
- GENERAL
- EUROPEAN CINEMA
- Britain
- FranceGermany
- Italy
- INDEX