|
|
|
|
LEADER |
00000cam a2200000Ma 4500 |
001 |
EBOOKCENTRAL_ocn278264579 |
003 |
OCoLC |
005 |
20240329122006.0 |
006 |
m o d |
007 |
cr ||||||||||| |
008 |
051212s1991 xxka o 000 0 eng d |
040 |
|
|
|a SHS
|b eng
|e pn
|c SHS
|d IDEBK
|d OCLCF
|d OCLCO
|d YDXCP
|d EBLCP
|d OCLCQ
|d MERUC
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCL
|
019 |
|
|
|a 814399668
|a 922903721
|a 922957150
|a 927465453
|
020 |
|
|
|a 0203397363
|
020 |
|
|
|a 9780203397367
|
020 |
|
|
|a 1280061715
|
020 |
|
|
|a 9781280061714
|
029 |
1 |
|
|a AU@
|b 000062520164
|
029 |
1 |
|
|a AU@
|b 000066440126
|
035 |
|
|
|a (OCoLC)278264579
|z (OCoLC)814399668
|z (OCoLC)922903721
|z (OCoLC)922957150
|z (OCoLC)927465453
|
043 |
|
|
|a e------
|
050 |
|
4 |
|a PN1993
|
072 |
|
7 |
|a HBXD
|2 bicssc
|
082 |
0 |
4 |
|a 302.2343094
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Sorlin, Pierre.
|
245 |
1 |
0 |
|a European cinemas, European societies 1939-1990 /
|c Pierre Sorlin.
|
260 |
|
|
|a [Place of publication not identified] :
|b Taylor & Francis eBooks,
|c 1991.
|
300 |
|
|
|a 1 online resource
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
1 |
|
|a Studies in film, television and the media
|
520 |
|
|
|a Pierre Sorlin looks at the way the nations of Europe have expressed their cultural individuality in film, and shows how the impact of a common evolution towards federalism can be detected in films.
|
505 |
0 |
|
|a BOOK COVER -- HALF-TITLE -- TITLE -- COPYRIGHT -- CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION: IMAGES IN SOCIETIES -- 1 THE COMING WAR -- WAR AS AN END -- WAR AS A STARTING-POINT -- BEYOND THE FRONT LINE -- ON THE FRONT LINE -- IMAGES IN AN UNSETTLED EUROPE -- 2 RESISTANCE -- HOW THE �VISUAL� CHANGES -- AN ENGLISH MODEL? -- RESISTANCE, FILMS, POLITICS -- 3 A GOLDEN AGE -- VISITING THE PICTURE-HOUSES -- HOLLYWOOD, BUSINESS AND MYTHOLOGY -- EUROPE, TRADITIONS AND DIVISIONS -- 4 THE BLURRED IMAGE OF CITIES -- A POLARIZED IMAGE
|
505 |
8 |
|
|a NEOREALISM OR THE COMPLEXITY OF URBAN RELATIONSHIPSSHANTY TOWNS: A THIRD WORLD? -- THE END OF CITIES -- 5 CHALLENGING HOLLYWOOD -- THE WATERSHED OF THE 1960s -- THE LONELINESS OF THE CINEMA-GOER -- TWO OR THREE THINGS WE KNOW ABOUT THEM -- 6 A TIME FOR REVISIONS -- TELEVISION, CINEMA, HISTORY -- THE RETURN OF THE REPRESSED -- FROM FIGURAL NETWORKS� -- �TO SOCIAL ISSUES -- A WOMAN IS A WOMAN -- CONCLUSION: MOVING PICTURES: CONCEPTION/CONSUMPTION -- NOTES -- SELECT BIBLIOGRAPHY -- GUIDES AND CATALOGUES -- GENERAL -- EUROPEAN CINEMA -- Britain
|
505 |
8 |
|
|a FranceGermany -- Italy -- INDEX
|
590 |
|
|
|a ProQuest Ebook Central
|b Ebook Central Academic Complete
|
650 |
|
0 |
|a Motion pictures
|x Social aspects
|z Europe.
|
650 |
|
6 |
|a Cinéma
|x Aspect social
|z Europe.
|
650 |
|
7 |
|a Motion pictures
|x Social aspects
|2 fast
|
651 |
|
7 |
|a Europe
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq
|
758 |
|
|
|i has work:
|a European cinemas, european societies 1939-1990 (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCYcMmft3QrpxtWHQqGjCpP
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
776 |
0 |
8 |
|i Print version:
|a Sorlin, Pierre.
|t European Cinemas, European Societies : 1939-1990.
|d Florence : Taylor and Francis, ©1900
|z 9780415056717
|
830 |
|
0 |
|a Studies in film, television, and the media.
|
856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=179202
|z Texto completo
|
938 |
|
|
|a EBL - Ebook Library
|b EBLB
|n EBL3060419
|
938 |
|
|
|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n 6171
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 2284805
|
994 |
|
|
|a 92
|b IZTAP
|