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Paradisal love : Johann Gottfried Herder and the Song of Songs /

This is the first comprehensive study of Herder's preoccupation with the Song of Songs, Baildam considers the importance of this poetry in his thinking, and examines his commentaries and translations of 1776 and 1778. Despite Herder's claims to the contrary, his own cultural position is re...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Baildam, John D.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Sheffield, Eng. : Sheffield Academic Press, ©1999.
Colección:Journal for the study of the Old Testament. Supplement series ; 298.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Paradisal love :  |b Johann Gottfried Herder and the Song of Songs /  |c John D. Baildam. 
260 |a Sheffield, Eng. :  |b Sheffield Academic Press,  |c ©1999. 
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490 1 |a Journal for the study of the Old Testament. Supplement series ;  |v 298 
500 |a Originally presented as the author's thesis (doctoral--University of London), 1994. 
504 |a "Bibliography: Johann Gottfried Herder": pages 333-334 
504 |a Includes bibliographical references (pages 333-361)-and indexes. 
505 0 |a Preface; Acknowledgments; Abbreviations; INTRODUCTION; Chapter 1 HERDER' S PREOCCUPATION WITH THE SONG OF SONGS; Chapter 2 HERDER'S APPROACH TO POETRY AND THE BIBLE: ITS SIGNIFICANCE FOR THE SONG OF SONGS; Chapter 3 HERDER AS TRANSLATOR: A THEORETICAL CONTEXT FOR LIEDER DER LlEBE; Chapter 4 HERDER'S RECEPTION OF THE SONG OF SONGS: A COMPARISON WITH OTHER INTERPRETATIVE APPROACHES; Chapter 5 HERDER'S INTERPRETATION OF THE SONG OF SONGS; Chapter 6 HERDER'S TRANSLATIONS OF THE SONG OF SONGS; CONCLUSION; Appendix A: HERDER'S TRANSLATIONS OF THE SONG OF SONGS. 
520 |a This is the first comprehensive study of Herder's preoccupation with the Song of Songs, Baildam considers the importance of this poetry in his thinking, and examines his commentaries and translations of 1776 and 1778. Despite Herder's claims to the contrary, his own cultural position is revealed in his translations, and in his unique interpretation of the work as the voice of pure, paradisal love. Starting with Herder's interest in the Song of Songs between 1765 and 1778, this book sets his reflections in the wider context of his relativistic views on the nature of poetry, contemporary German. 
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