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Modern literature and the tragic /

This book explores modern literature's responses to the tragic. It examines writers from the latter half of the nineteenth century through to the later twentieth century who respond to ideas about tragedy. Although Ibsen has been accused of being responsible for the 'death of tragedy'...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Newton, K. M.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, ©2008.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Modern literature and the tragic /  |c K.M. Newton. 
260 |a Edinburgh :  |b Edinburgh University Press,  |c ©2008. 
300 |a 1 online resource ([vii], 179 pages) 
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504 |a Includes bibliographical references and index. 
505 0 |a Ibsen's Ghosts and the rejection of the tragic -- Anti-tragic drama after Ibsen -- Chekhov and the tragic -- The return of the tragic in fiction -- Nietzsche and the redefining of the tragic -- The "tragico-dionysian" and D.H. Lawrence -- The theatre of the absurd and the tragic -- The tragic, pragmatism, and the postmodern. 
588 0 |a Print version record. 
520 |a This book explores modern literature's responses to the tragic. It examines writers from the latter half of the nineteenth century through to the later twentieth century who respond to ideas about tragedy. Although Ibsen has been accused of being responsible for the 'death of tragedy', Ken Newton argues that Ibsen instead generates an anti-tragic perspective that had a major influence on dramatists such as Shaw and Brecht. By contrast, writers such as Hardy and Conrad, influenced by Schopenhauerean pessimism and Darwinism, attempt to modernise the concept of the tragic. Nietzsche's revisionist interpretation of the tragic influenced writers who either take pessimism or the 'Dionysian' commitment to life to an extreme, as in Strindberg and D.H. Lawrence. Different views emerge in the period following the second world war with the 'Theatre of the Absurd' and postmodern anti-foundationalism. Key Features Broad coverage of drama and fiction by British, European, and American writers Provides readings of particular texts including Tolstoy's Anna Karenina, Ibsen's Ghosts, Strindberg's Miss Julie, Brecht's Mother Courage, Chekhov's Three Sisters, Thomas Hardy's Tess of the d'Urbervilles and Jude the Obscure, Shaw's Saint Joan, Miller's Death of a Salesman, Conrad's Heart of Darkness, and D H Lawrence's The Rainbow and Women in Love Combines literary interpretation with philosophical discussion, e.g. of Schopenhauer, Nietzsche, Derrida, Rorty 
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650 0 |a Literature, Modern  |y 19th century  |x History and criticism. 
650 0 |a Literature, Modern  |y 20th century  |x History and criticism. 
650 0 |a Tragedy  |x History and criticism. 
650 0 |a Tragic, The, in literature. 
650 6 |a Littérature  |y 19e siècle  |x Histoire et critique. 
650 6 |a Littérature  |y 20e siècle  |x Histoire et critique. 
650 6 |a Tragédie  |x Histoire et critique. 
650 6 |a Tragique dans la littérature. 
650 7 |a TRAVEL  |x Special Interest  |x Literary.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x General.  |2 bisacsh 
650 7 |a Literature, Modern  |2 fast 
650 7 |a Tragedy  |2 fast 
650 7 |a Tragic, The, in literature  |2 fast 
650 7 |a Tragödie  |2 gnd 
650 7 |a Literatur  |2 gnd 
650 7 |a Tragik  |2 gnd 
648 7 |a 1800-1999  |2 fast 
648 7 |a Geschichte 1850-1963.  |2 swd 
655 0 |a Electronic books. 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a dissertations.  |2 aat 
655 7 |a Academic theses.  |2 lcgft 
655 7 |a Thèses et écrits académiques.  |2 rvmgf 
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