The couch and the silver screen : psychoanalytic reflections on European cinema /

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The Couch and the Silver Screen is a collection of original contributions which explore European cinema from psychoanalytic perspectives. Both classic and contemporary films are presented and analysed by a variety of authors, including leading cinema historians and theorists, psychoanalysts with a s...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Sabbadini, Andrea
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Hove ; New York : Brunner-Routledge, 2003.
Edición:1st ed.
Colección:New library of psychoanalysis ; 44.
Temas:
Motion pictures > Europe > Psychological aspects.
Psychoanalysis and motion pictures.
Psychoanalytic interpretation.
Mass media.
Teaching > Aids and devices.
Motion Pictures as Topic
Psychoanalytic Interpretation
Teaching Materials
Music, Dance, Drama & Film.
Film.
Psychanalyse et cinéma.
Interprétation psychanalytique.
Médias.
Matériel didactique.
mass media.
audiovisual materials.
instructional materials.
PERFORMING ARTS > Film & Video > History & Criticism.
PERFORMING ARTS > Film & Video.
Psychoanalytic interpretation
Motion pictures > Psychological aspects
Psychoanalysis and motion pictures
Psychoanalyse
Film
Films.
Psychoanalyse.
Europe.
Europe
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Foreword / Laura Mulvey
  • Introduction / Andrea Sabbadini
  • SET AND STAGE
  • Inner and outer worlds of the filmmaker's temporary social structure / Bernardo Bertolucci, Fiona Shaw, Chris Mawson
  • One in the eye from Sam: Samuel Beckett's Film (1964) and his contribution to our vision in theatre, cinema and psychoanalysis / Ian Christie, Juliet Stevenson, Helen Taylor Robinson
  • WORKING THROUGH TRAUMA
  • Sons and fathers: a room of their own
  • Nanni Moretti's The son's room (2001) / Nanni Moretti [and others]
  • Witness and persecution in two short films: Miguel Sapochnik's The dreamer (2001) and Lindy Heymann's Kissing Buba (2001) / Jed Sekoff
  • Post-postmodern Walkyrie: psychoanalytic considerations on Tom Tykwer's Run, Lola, run (1998) / Annegret Mahler-Bungers
  • Thomas Vinterberg's Festen (1998): an attempt to avoid madness through denunciation / Liliana Pedrón de Martín
  • István Szabó's Sunshine (1999): the cinematic representation of historical and familial trauma / Diana Diamond
  • HORROR PERSPECTIVES
  • Notes on the relevance of psychoanalytic theory to Euro-horror cinema / Steven Jay Schneider
  • Dario Argento's Phenomena (1985): a psychoanalytic perspective on the 'horror film' genre and adolescent development / Donald Campbell
  • Freedom through re-introjection: a Kleinian perspective on Dominik Moll's Harry: he's here to help (2000) / Candy Aubry
  • Cinema, horror and the abominations of hell: Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The beyond (1981) / Michael Grant
  • DOCUMENTING INTERNAL WORLDS
  • Narratives and documentaries: an encounter with Michael Apted and his films / Michael Apted, Helen Taylor Robinson
  • Cinematic dream-work of Ingmar Bergman's Wild strawberries (1957) / Elizabeth Cowie
  • Film as an abreaction of totalitarianism: Vinko Brešan's Marshal Tito's spirit (1999) / Ljiljana Filipović
  • Documentary directors and their protagonists: a transferential / countertransferential relationship? Timna Rosenheimer's Fortuna (2000) and Michael Aviad's Ever shot anyone? (1995) / Emanuel Berman, Timna Rosenheimer, Michal Aviad
  • Filming psychoanalysis: feature or documentary? Two contributions / Hugh Brody, Michael Brearley.

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