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|a The couch and the silver screen :
|b psychoanalytic reflections on European cinema /
|c edited by Andrea Sabbadini.
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|a 1st ed.
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|a Hove ;
|a New York :
|b Brunner-Routledge,
|c 2003.
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|a 1 online resource (xx, 258 pages) :
|b illustrations
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|a text
|b txt
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|a The new library of psychoanalysis ;
|v 44
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|a Includes bibliographical references and indexes.
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|t Foreword /
|r Laura Mulvey --
|t Introduction /
|r Andrea Sabbadini --
|g SET AND STAGE --
|t Inner and outer worlds of the filmmaker's temporary social structure /
|r Bernardo Bertolucci,
|r Fiona Shaw,
|r Chris Mawson --
|t One in the eye from Sam: Samuel Beckett's Film (1964) and his contribution to our vision in theatre, cinema and psychoanalysis /
|r Ian Christie,
|r Juliet Stevenson,
|r Helen Taylor Robinson --
|t WORKING THROUGH TRAUMA --
|t Sons and fathers: a room of their own -- Nanni Moretti's The son's room (2001) /
|r Nanni Moretti [and others] --
|t Witness and persecution in two short films: Miguel Sapochnik's The dreamer (2001) and Lindy Heymann's Kissing Buba (2001) /
|r Jed Sekoff --
|t Post-postmodern Walkyrie: psychoanalytic considerations on Tom Tykwer's Run, Lola, run (1998) /
|r Annegret Mahler-Bungers --
|t Thomas Vinterberg's Festen (1998): an attempt to avoid madness through denunciation /
|r Liliana Pedrón de Martín --
|t István Szabó's Sunshine (1999): the cinematic representation of historical and familial trauma /
|r Diana Diamond --
|g HORROR PERSPECTIVES --
|t Notes on the relevance of psychoanalytic theory to Euro-horror cinema /
|r Steven Jay Schneider --
|t Dario Argento's Phenomena (1985): a psychoanalytic perspective on the 'horror film' genre and adolescent development /
|r Donald Campbell --
|t Freedom through re-introjection: a Kleinian perspective on Dominik Moll's Harry: he's here to help (2000) /
|r Candy Aubry --
|t Cinema, horror and the abominations of hell: Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The beyond (1981) /
|r Michael Grant --
|g DOCUMENTING INTERNAL WORLDS --
|t Narratives and documentaries: an encounter with Michael Apted and his films /
|r Michael Apted,
|r Helen Taylor Robinson --
|t Cinematic dream-work of Ingmar Bergman's Wild strawberries (1957) /
|r Elizabeth Cowie --
|t Film as an abreaction of totalitarianism: Vinko Brešan's Marshal Tito's spirit (1999) /
|r Ljiljana Filipović --
|t Documentary directors and their protagonists: a transferential / countertransferential relationship? Timna Rosenheimer's Fortuna (2000) and Michael Aviad's Ever shot anyone? (1995) /
|r Emanuel Berman,
|r Timna Rosenheimer,
|r Michal Aviad --
|t Filming psychoanalysis: feature or documentary? Two contributions /
|r Hugh Brody,
|r Michael Brearley.
|
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|a Print version record.
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520 |
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|a The Couch and the Silver Screen is a collection of original contributions which explore European cinema from psychoanalytic perspectives. Both classic and contemporary films are presented and analysed by a variety of authors, including leading cinema historians and theorists, psychoanalysts with a specific expertise in the interpretation of films, as well as the filmmakers themselves. This composite approach offers a fascinating insight into the world of cinema. The Couch and the Silver Screen is illustrated with stills throughout and Andrea Sabbadini's introduction provides a theoretical and h.
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|a English.
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
|
590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Motion pictures
|z Europe
|x Psychological aspects.
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|
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|a Psychoanalysis and motion pictures.
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|a Psychoanalytic interpretation.
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|a Mass media.
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|a Teaching
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|a Motion Pictures as Topic
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|a Psychoanalytic Interpretation
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|a Music, Dance, Drama & Film.
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|a Film.
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|a Psychanalyse et cinéma.
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|a Interprétation psychanalytique.
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|a Europe.
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|a Sabbadini, Andrea.
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|i has work:
|a The couch and the silver screen (Text)
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|t Couch and the silver screen.
|b 1st ed.
|d Hove ; New York : Brunner-Routledge, 2003
|w (DLC) 2003004236
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|a New library of psychoanalysis ;
|v 44.
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