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|a 7949
|b MIT Press
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|b MIT Press
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|a Mitchell, William J.
|q (William John),
|d 1944-2010.
|1 https://id.oclc.org/worldcat/entity/E39PBJg4jJ79QTCc9689xmcwYP
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|a World's greatest architect :
|b making, meaning, and network culture /
|c William J. Mitchell.
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|a Cambridge, Mass. :
|b MIT Press,
|c ©2008.
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|a 1 online resource (xvii, 146 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a Includes index.
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|a Kicking the bottle -- Paper wonders -- Viva Venturi -- Sin no more -- Loveliest of trees -- Alberti's anniversary -- The Net has a thousand eyes -- Surveillance cookbook -- Forget foreign wars -- Everyday low -- Texas chain store -- Right place at the wrong time -- Best practices -- Mama don't take my megapixels -- Instruments and algorithms -- Theory of black holes -- Elegy in a landfill -- Theory of everything -- Deep focus -- Dappled things --- Morphology of the biopic -- Little blue coupe -- Bicycle socialism -- Faux book -- Man of steel -- It's not easy -- Imagined Wall Street -- The eagle flies -- Architectural assassination -- Urban plastination -- Civic immunology -- World's greatest architect.
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|a Print version record.
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|a Artifacts (including works of architecture) play dual roles; they simultaneously perform functions and carry meaning. Columns support roofs, but while the sturdy Tuscan and Doric types traditionally signify masculinity, the slim and elegant Ionic and Corinthian kinds read as feminine. Words are often inscribed on objects. (On a door: "push" or "pull.") Today, information is digitally encoded (dematerialized) and displayed (rematerialized) to become part of many different objects, at one moment appearing on a laptop screen and at another, perhaps, on a building facade (as in Times Square). Well-designed artifacts succeed in being both useful and meaningful. In World's Greatest Architect, William Mitchell offers a series of snapshots -- short essays and analyses -- that examine the systems of function and meaning currently operating in our buildings, cities and global networks. <br /><br />In his writing, Mitchell makes connections that aren't necessarily obvious but are always illuminating, moving in one essay from Bush-Cheney's abuse of language to Robert Venturi's argument against rigid ideology and in favor of graceful pragmatism. He traces the evolution of Las Vegas from Sin/Sign City to family-friendly resort and residential real estate boomtown. A purchase of chips leads not only to a complementary purchase of beer but to thoughts of Eames chairs (like Pringles) and Gehry (fun to imitate with tortilla chips in refried beans). As for who the world's greatest architect might be, here's a hint: he's also the oldest
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Architecture and society
|x History
|y 21st century.
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650 |
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|a Cities and towns.
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650 |
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|a Cities
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650 |
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|a Architecture et société
|x Histoire
|y 21e siècle.
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650 |
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|a Villes.
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650 |
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|a cities.
|2 aat
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|a ARCHITECTURE
|x History.
|2 bisacsh
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|a Architecture and society
|2 fast
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|a Cities and towns
|2 fast
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648 |
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|a 2000-2099
|2 fast
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|a ARCHITECTURE/Architectural History/Modern Architecture
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655 |
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|a History
|2 fast
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|i has work:
|a World's greatest architect (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCH7JDXXV4tdttBPHTGfVfm
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
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|i Print version:
|a Mitchell, William J. (William John), 1944-
|t World's greatest architect.
|d Cambridge, Mass. : MIT Press, ©2008
|z 9780262633642
|z 0262633647
|w (DLC) 2008000646
|w (OCoLC)190621146
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3338913
|z Texto completo
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|a Internet Archive
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