Mandel'shtam's poetics : a challenge to postmodernism /

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Osip Mandel'shtam (1891-1938) is considered by many to have been the best Russian poet of his era. This book is the first attempt to describe in a comprehensive way Mandel'shtam's intellectual world and its effect on his evolution as a thinker.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Corrigan, Elena
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto, Ont. : University of Toronto Press, ©2000.
Temas:
Mandelʹshtam, Osip, > 1891-1938 > Criticism and interpretation.
Mandel'štam, Osip, > 1891-1938 > Critique et interprétation.
Mandelʹshtam, Osip, > 1891-1938
Mandelʹštam, Osip Ėmilʹevič > Ästhetik und Poetik.
Mandelʹštam, Osip Ė. > Poetik.
Mandelʹshtam, Osip, > 1891-1938 > Criticism and interpretation.
LITERARY CRITICISM > Russian & Former Soviet Union.
Letterkunde.
Poetik > Mandelʹštam, Osip Ė.
Electronic books.
e-books.
Criticism, interpretation, etc.
Livres numériques.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Meaning and Blank: The First Decade of Mandel'shtam's Poetics
  • Binary Opposition in Mandel'shtam's Early Essays, 1913-1915
  • Evidence of the Growing Theoretical Crisis
  • The Word in Mandel'shtam's Poetics
  • The Word as Stone, 1913-1919
  • The Word as Inner and Outer Reality, 1921-1922
  • The Word as Space, 1925
  • The Word as Journey into the Patterns of Communication, the 1930s
  • The Word in Action: The Hypnotic Power of Poetry
  • Tangible Intensification and Hypnotism, 1913-1919
  • The Double Effect of Poetry, 1921-1924
  • The Catastrophic Essence of Poetry, 1921-1932
  • Signal-Waves of Meaning, 1930
  • The Participation of the Reader
  • The Dialogical Nature of Poetry, 1913 and After
  • The Escape of the Poetic Voice, 1924 and After
  • The Reading Process as Metamorphosis
  • Periodization in the Transmutation of the Poetic Landscape. Metamorphosis of the Addressee in the 1930s
  • The Hybrid Nature of Poetic Discourse
  • The Beginning of the Reading Process; Entrance into Matter. The Addressee as Completed Past
  • The beginning of the process: movement initiated near the tangible remnants of 'intelligible life'
  • The crack [proval]
  • Death as the result of entrance
  • Reading as awareness of intertextuality
  • The reversal of time
  • The construction of the organ of transmission and reception
  • Language as command
  • The ghost of the past as addressee
  • Expression as an Instinctual Escape from the Inferno. The Addressee as Instinctual Response
  • Impregnation of the rock
  • Literal expression.

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