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Wyndham Lewis and the avant-garde : the politics of the intellect /

Toby Foshay's penetrating study of Lewis presents a two-pronged argument that will help to lift Lewis from this obscurity. First, he reveals that Lewis is less interested in stylistic and formal innovation than he is committed to artistic, philosophical, and political transformations. As such,...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Foshay, Toby, 1950-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Montréal [Que.] : McGill-Queen's University Press, ©1992.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Wyndham Lewis and the avant-garde :  |b the politics of the intellect /  |c Toby Avard Foshay. 
260 |a Montréal [Que.] :  |b McGill-Queen's University Press,  |c ©1992. 
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504 |a Includes bibliographical references (pages 165-173) and index. 
588 0 |a Print version record. 
505 0 |a Contents -- Acknowledgments -- Introduction -- 1 Where is Your Vortex?: The Caliph's Design -- 2 Agon of the Intellect: Enemy of the Stars -- 3 Harmonious and Sane Duality: Tan -- 4 The Will to Satire: The Revenge for Love -- 5 The Logic of Representation: Self Condemned -- Notes -- Bibliography -- Index -- A -- B -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- P -- R -- S -- V -- W 
520 |a Toby Foshay's penetrating study of Lewis presents a two-pronged argument that will help to lift Lewis from this obscurity. First, he reveals that Lewis is less interested in stylistic and formal innovation than he is committed to artistic, philosophical, and political transformations. As such, Lewis is not a modernist but, in the sense of the term as employed by theoretician Peter Burger, an avant-gardiste. Second, Foshay demonstrates that Lewis's development as an artist is inextricably linked to his avant-garde commitments -- commitments that find their roots in Lewis's reading of Nietzsche. Lewis's fiction and criticism must thus be read, Foshay maintains, as developing interdependently throughout his career and in relation to his evolving interpretation of Nietzsche. Foshay's insightful critique of Lewis's relation to the Modernist movement on the one hand, and of his development as an artist and critic on the other, offers a revised reading not only of Modernism itself but of what Lewis can teach us about the relation of thought to the practice of art in modernity. 
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600 1 0 |a Lewis, Wyndham,  |d 1882-1957  |x Criticism and interpretation. 
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