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Barbarous dissonance and images of voice in Milton's epics /

Elizabeth Sauer brings a new perspective to Milton scholarship through her examination of the relative status and authority of the multiple narrative voices in Paradise Lost and Paradise Regained. She argues that Milton's epics accommodate a variety of interpretive voices, episodes, and dramati...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Sauer, Elizabeth M., 1964-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Montreal [Que.] : McGill-Queen's University Press, 1996.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Sauer, Elizabeth M.,  |d 1964- 
245 1 0 |a Barbarous dissonance and images of voice in Milton's epics /  |c Elizabeth Sauer. 
260 |a Montreal [Que.] :  |b McGill-Queen's University Press,  |c 1996. 
300 |a 1 online resource (x, 213 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a data file 
504 |a Includes bibliographical references and index. 
505 0 |a 1. The Voices and Politics of Nimrod -- 2. Critical Interventions -- 3. "I now must change / Those notes to Tragic": The Sad Task of Raphael, Satan, and the Poet-Narrator -- 4. The Gendered Hierarchy of Discourse -- 5. "Learning to Curse": Colonialism and Censorship in Paradise -- 6. The Voices of Nebuchadnezzar in Paradise Regained. 
520 |a Elizabeth Sauer brings a new perspective to Milton scholarship through her examination of the relative status and authority of the multiple narrative voices in Paradise Lost and Paradise Regained. She argues that Milton's epics accommodate a variety of interpretive voices, episodes, and dramatic and discursive exchanges that resist the monological containment of the poems' dominant narratives. Sauer investigates the texts' discursive practices and the politics of their orchestration of voice, exploring the ways in which Milton's multivocal poems interrogated dominant structures of authority in the seventeenth century and constructed in their place a community of voices characterized by dissonances. She incorporates different critical responses to Milton's texts into her argument as a way of contextualizing her own historically engaged approach. 
520 8 |a By injecting concepts such as multiple narrators and genres, open forms, strategic deferrals, and the exchanges between the poetic voices and discourses of the early modern period, Sauer tells us something about how the poems spoke to their own time as well as how they may be recuperated to speak to ours. 
588 0 |a Print version record. 
546 |a English. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
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590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
600 1 0 |a Milton, John,  |d 1608-1674.  |t Paradise lost. 
600 1 0 |a Milton, John,  |d 1608-1674.  |t Paradise regained. 
600 1 6 |a Milton, John,  |d 1608-1674  |t Paradise lost. 
600 1 6 |a Milton, John,  |d 1608-1674.  |t Paradise regained. 
630 0 7 |a Paradise lost (Milton, John)  |2 fast 
630 0 7 |a Paradise regained (Milton, John)  |2 fast 
600 1 7 |a Milton, John.  |2 swd 
630 0 7 |a Paradise regained.  |2 swd 
630 0 7 |a Paradise lost.  |2 swd 
650 0 |a Narration (Rhetoric) 
650 6 |a Narration. 
650 7 |a POETRY  |x English, Irish, Scottish, Welsh.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x European  |x English, Irish, Scottish, Welsh.  |2 bisacsh 
650 7 |a Narration (Rhetoric)  |2 fast 
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650 7 |a Rhetorik  |2 gnd 
650 7 |a Erzähler  |2 gnd 
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655 7 |a Criticism, interpretation, etc.  |2 fast 
758 |i has work:  |a Barbarous dissonance and images of voice in Milton's epics (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCGTFFQfvhmtkrhJTygb7xP  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 8 |i Print version:  |a Sauer, Elizabeth, 1964-  |t Barbarous dissonance and images of voice in Milton's epics.  |d Montreal ; Buffalo : McGill-Queen's University Press, ©1996  |z 0773514287  |w (DLC) 97187570  |w (OCoLC)35810941 
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