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Alisa S. Lebow examines films from Jewish artists to reveal how the postmodern impulse to turn the lens inward intersects provocatively (and at times unwittingly) with historical tropes and stereotypes of the Jew. Using a multidisciplinary approach Lebow shows how this form of self-expression is cha...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Lebow, Alisa
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis : University of Minnesota Press, ©2008.
Colección:Visible evidence ; v. 22.
Temas:
Jews in motion pictures.
Jewish motion picture producers and directors.
Documentary films > History and criticism.
Autobiography.
Identity (Psychology) in motion pictures.
Stereotypes (Social psychology) in motion pictures.
Juifs au cinéma.
Producteurs et réalisateurs de cinéma juifs.
Autobiographie.
Identité (Psychologie) au cinéma.
Stéréotypes au cinéma.
Documentaires > Histoire et critique.
autobiography (genre)
PERFORMING ARTS > Film & Video > Reference.
PERFORMING ARTS > Film & Video > History & Criticism.
Autobiography
Documentary films
Identity (Psychology) in motion pictures
Jewish motion picture producers and directors
Jews in motion pictures
Stereotypes (Social psychology) in motion pictures
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Memory once removed: indirect memory and transitive autobiography in Chantal Akerman's D'Est
  • Reframing the Jewish family
  • A treyf autocritique of autobiography
  • Ambivalence and ambiguity in queer Jewish subjectivity
  • Conclusion: a limit case for Jewish autoethnography.

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