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David Wilkie : the people's painter /

This is the first modern book about the artist David Wilkie (1785-1841), the first British painter to become an international celebrity. Based on extensive original research, the book explores the ways in which Wilkie's images, so beloved by his contemporaries, engaged with a range of cultural...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Tromans, Nicholas
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, ©2007.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a David Wilkie :  |b the people's painter /  |c Nicholas Tromans. 
260 |a Edinburgh :  |b Edinburgh University Press,  |c ©2007. 
300 |a 1 online resource (xxvi, 301 pages, 8 unnumbered pages of plates) :  |b illustrations (some color) 
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504 |a Includes bibliographical references and index. 
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505 0 |a Everyday stories -- Anatomy of expression -- 'The shackles of connoisseurship' -- Everyday heroes : Wilkie's version of history -- 5. Wilkie and Scotland. 
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546 |a English. 
520 |a This is the first modern book about the artist David Wilkie (1785-1841), the first British painter to become an international celebrity. Based on extensive original research, the book explores the ways in which Wilkie's images, so beloved by his contemporaries, engaged with a range of cultural predicaments close to their hearts. In a series of thematic chapters, whose concerns range far beyond the details of Wilkie's own career, Tromans shows how, through Wilkie's thrillingly original work, British society was able to reimagine its own everyday life, its history, and its multinational (Anglo-Scottish) nature. Other themes covered include Wilkie's roles in defining the border between painting and anatomy in the representation of the human body, and in transforming the pleasures of connoisseurship from an elite to a popular audience. For the first time, all of Wilkie's major subject pictures are brought together, reproduced and discussed. With a great range of new archival material and original interpretive arguments, this book replaces Wilkie at the centre of the visual culture of British Romanticism. 
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