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Cinema and sensation : French film and the art of transgression /
This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of the senses. France offers an intriguing case in point here. A specific sense of momentum comes...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
2007.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Beugnet, Martine. | |
| 245 | 1 | 0 | |a Cinema and sensation : |b French film and the art of transgression / |c Martine Beugnet. |
| 260 | |a Edinburgh : |b Edinburgh University Press, |c 2007. | ||
| 300 | |a 1 online resource (vi, 192 pages) | ||
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| 504 | |a Includes bibliographical references (pages 179-187) and index. | ||
| 504 | |a Includes filmography (page 189). | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a COVER; COPYRIGHT; Contents; Acknowledgements; Beginnings; CHAPTER 1 A 'Third Path'; CHAPTER 2 The Aesthetics of Sensation; CHAPTER 3 Film Bodies (Becomings and Embodiment); Epilogue; Bibliography; Selected Filmography; Index. | |
| 520 | |a This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of the senses. France offers an intriguing case in point here. A specific sense of momentum comes from the release, in close succession, of a series of films that exemplify a characteristic awareness of cinema's sensory impact and transgressive nature: Adieu; A ma soeur; Baise-moi; Beau Travail; La Blessure; La Captive; Dans ma peau; Demonlover; L'Humanité; Flandres; L'Intrus; Les Invisibles; Lady Chatterley; Leçons de ténèbres; Romance; Sombre; Tiresia; Trouble Every Day; Twentynine Palms; Vendredi soir; La Vie nouvelle; Wild Side; Zidane, un portrait du XXIème siècle. These films, amongst others, typify a willingness to explore cinema's unique capacity to move us both viscerally and intellectually. Martine Beugnet focuses on the crucial and fertile overlaps that occur between experimental and mainstream cinema. Her book draws on the writings of the likes of Deleuze, Merleau-Ponty and Bataille, but first and foremost, she develops her arguments from the films themselves, from the comprehensive description of specific sequences, techniques and motifs which allows us to engage with the works as material events and as thinking processes. In turn, she demonstrates how the films, envisaged as forms of embodied thought, offer alternative ways of approaching those questions that are at the heart of today's most burning socio-cultural debates: from the growing supremacy of technology, to globalisation, exile and exclusion, these are the issues that appear embedded here in the very texture of images and sounds. | ||
| 546 | |a English. | ||
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| 650 | 0 | |a Senses and sensation in motion pictures. | |
| 650 | 0 | |a Human body in motion pictures. | |
| 650 | 0 | |a Motion pictures |z France. | |
| 650 | 6 | |a Sens et sensations au cinéma. | |
| 650 | 6 | |a Corps humain au cinéma. | |
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| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
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