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Pierrot in Petrograd : the Commedia dell'arte/Balagan in twentieth-century Russian theatre and drama /
Douglas Clayton examines the tradition of commedia dell'arte as the Russian modernists inherited it, from its origins in Italian street theatre through its various transformations: in Italy (Gozzi and Goldini's plays); in France (the development of Pierrot and the restructuring of the plot...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Montréal ; Buffalo :
McGill-Queen's University Press,
©1993.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Contents
- Preface
- Illustrations
- Prologue
- 1 Who Was That Masked Man?
- 2 Improvisation and Dissonance: Commedia dell'Arte and the Crisis in Theatre
- 3 Pierrot Comes to Petersburg: 1903�17
- 4 Red Harlequins: The Balagan as a Theatrical Genre
- 5 Pierrot or Petrushka? Russian Harlequinades
- 6 Russian Pirandellos: The Balagan as a Dramatic Genre
- 7 Harlequin's Shadow: The Film as Balagan
- 8 The Empty Throne: Theatre as Metahistory
- Appendix A: The Beggar Harlequin
- Appendix B: Today's Columbine
- Appendix C: Fiametta's Four Corpses
- Appendix D: The LoversAppendix E: Harlequin the Card-Lover
- Appendix F: The Apes Are Coming!
- Notes
- Bibliography
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- Y
- Z