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Hollywood and the culture elite : how the movies became American /
Explores how Hollywood and cultural institutions worked together, amid ethnic diversity, the rise of mass entertainment, world war, and the global spread of American culture, to insure their own survival and profitability and to provide a coherent, though shifting, American identity.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Columbia University Press,
[2005]
|
| Colección: | Film and culture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Decherney, Peter, |e author. | |
| 245 | 1 | 0 | |a Hollywood and the culture elite : |b how the movies became American / |c Peter Decherney. |
| 264 | 1 | |a New York : |b Columbia University Press, |c [2005] | |
| 264 | 4 | |c ©2005 | |
| 300 | |a 1 online resource (x, 269 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 347 | |a data file | ||
| 490 | 1 | |a Film and culture | |
| 504 | |a Includes bibliographical references (pages 213-251) and index. | ||
| 505 | 0 | |a Introduction : how film became art -- Vachel Lindsay and the Universal Film Museum -- Overlapping publics : Hollywood and Columbia University, 1915 -- Mandarins and Marxists : Harvard and the rise of film experts -- Iris Barry, Hollywood imperialism, and the gender of the nation -- The Museum of Modern Art and the roots of the cultural Cold War -- The politics of patronage : how the NEA (accidentally) created American avant-garde film -- Conclusion : the transformation of the studio system. | |
| 520 | |a Explores how Hollywood and cultural institutions worked together, amid ethnic diversity, the rise of mass entertainment, world war, and the global spread of American culture, to insure their own survival and profitability and to provide a coherent, though shifting, American identity. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Motion picture industry |z United States |x History. | |
| 650 | 0 | |a Motion pictures |z United States |x History. | |
| 650 | 0 | |a Motion pictures |x Social aspects |z United States. | |
| 651 | 0 | |a United States |x Social life and customs |y 20th century. | |
| 650 | 0 | |a Culture in motion pictures. | |
| 650 | 6 | |a Cinéma |z États-Unis |x Histoire. | |
| 650 | 6 | |a Cinéma |x Aspect social |z États-Unis. | |
| 651 | 6 | |a États-Unis |x Mœurs et coutumes |y 20e siècle. | |
| 650 | 6 | |a Culture au cinéma. | |
| 650 | 6 | |a Cinéma |x Industrie |z États-Unis |x Histoire. | |
| 650 | 7 | |a BUSINESS & ECONOMICS |x Industries |x Media & Communications. |2 bisacsh | |
| 650 | 7 | |a TECHNOLOGY & ENGINEERING |x Telecommunications. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Culture in motion pictures |2 fast | |
| 650 | 7 | |a Manners and customs |2 fast | |
| 650 | 7 | |a Motion picture industry |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |x Social aspects |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
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| 650 | 7 | |a Filmwirtschaft |2 gnd | |
| 650 | 7 | |a Schauspieler |2 gnd | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Hollywood and the culture elite (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGRChQHtXJmDmg7RxcD9CP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Decherney, Peter. |t Hollywood and the culture elite. |d New York : Columbia University Press, ©2005 |z 0231133766 |w (DLC) 2004061786 |w (OCoLC)56753305 |
| 830 | 0 | |a Film and culture. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=909008 |z Texto completo |
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