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The nothing machine : the fiction of Octave Mirbeau /
In an era when reality was aestheticized as collectibles, Octave Mirbeau unleashed his fiction like a destructive machine, setting fire to stale material and discredited ideologies, burning them as fuel and expelling texts as clean emissions. In this first English-language overview of all the novels...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam ; New York :
Rodopi,
2007.
|
| Colección: | Faux titre ;
no. 298. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Ziegler, Robert, |d 1947- |1 https://id.oclc.org/worldcat/entity/E39PBJqbhymBc8gXV8Pb7HKcfq | |
| 245 | 1 | 4 | |a The nothing machine : |b the fiction of Octave Mirbeau / |c Robert Ziegler. |
| 260 | |a Amsterdam ; |a New York : |b Rodopi, |c 2007. | ||
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| 380 | |a Fiction | ||
| 490 | 1 | |a Faux titre ; |v 298 | |
| 504 | |a Includes bibliographical references (pages 243-248) and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a In an era when reality was aestheticized as collectibles, Octave Mirbeau unleashed his fiction like a destructive machine, setting fire to stale material and discredited ideologies, burning them as fuel and expelling texts as clean emissions. In this first English-language overview of all the novels published under Mirbeau?s name, this study argues that Mirbeau is unique among his fin-de-siecle peers. Unlike the Decadents, whose art was a reliquary in which dead inspiration was preserved, Mirbeau disengaged himself from the corpses of past works. Abhorring tradition and complacency, Mirbeau elaborated a kinetics of fiction that made the novel into an agent of violent transformation. Contrasting the Decadents? aesthetic of elegant morbidity with Mirbeau?s vitalistic view of fiction, this volume shows Mirbeau modeling himself on the figure of the torture artist, cutting up his finished works, building novels to disassemble them, fitting them together in revolutionary ways. Creativity for Mirbeau fertilizes un jardin des supplices, a cemetery smoldering with decomposing texts that are resolved into their constituent parts and then reemerge in different guises. In Mirbeau?s writing, lives and art works are only transient aggregates of material, and creativity is immortalized through the perishing of old forms. | |
| 505 | 0 | |a The Nothing Machine The Fiction of Octave Mirbeau; Contents; Introduction; Part I The Statue; Chapter One Art as Repair: Le Calvaire; Chapter Two Iconoclasm: L'abbé Jules; Chapter Three The Perfect Death: Sébastien Roch; Part Ii The Matrix; Chapter Four Reaching Up: Dans le ciel; Chapter Five A Way Out: Un gentilhomme; Chapter Six The Undifferentiated Bed: Le Jardin des supplices; Chapter Seven Fetish and Meaning: Le Journal d'une femme de chambre; Part Iii The Nothing Machine; Chapter Eight From Matter to Motion: Les 21 jours d'un neurasthénique; Chapter Nine The Novel as Machine: La 628-E8. | |
| 505 | 8 | |a Chapter Ten Non-human Narrative: DingoConclusion; References; Index. | |
| 546 | |a English. | ||
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