Cargando…
After Hitchcock : influence, imitation, and intertextuality /
Alfred Hitchcock is arguably the most famous director to have ever made a film. Almost single-handedly he turned the suspense thriller into one of the most popular film genres of all time, while his Psycho updated the horror film and inspired two generations of directors to imitate and adapt this mo...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Austin, Tex. :
University of Texas Press,
2006.
|
| Edición: | 1st ed. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Ma 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_ocn191953158 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr cn||||||||| | ||
| 008 | 060117s2006 txua ob 001 0 eng d | ||
| 010 | |z 2006001351 | ||
| 040 | |a COO |b eng |e pn |c COO |d OCLCG |d OCLCQ |d DKDLA |d OCLCE |d ADU |d E7B |d N$T |d YDXCP |d FVL |d OCLCQ |d OCLCO |d OCLCQ |d JSTOR |d P@U |d OCLCQ |d HEBIS |d EBLCP |d OCLCQ |d AZK |d OCLCF |d COCUF |d MOR |d PIFBR |d ZCU |d MERUC |d OCLCA |d OCLCQ |d YDX |d OCLCQ |d IOG |d OCLCO |d U3W |d OCL |d STF |d WRM |d ICG |d VT2 |d OCLCQ |d WYU |d DKC |d OCLCQ |d UX1 |d CEF |d HS0 |d UWK |d OCLCA |d OCLCQ |d KCP |d OCLCQ |d SNU |d UK7LJ |d MM9 |d OCLCQ |d EZ9 |d OCLCO |d OCLCQ |d OCLCO |d OCLCL |d PUL | ||
| 019 | |a 155843176 |a 474269200 |a 608211227 |a 614978125 |a 637709645 |a 637709676 |a 648298264 |a 722592286 |a 728043208 |a 961537910 |a 962662806 |a 975687169 |a 988438449 |a 991915961 |a 1002186559 |a 1018045950 |a 1037915262 |a 1038548276 |a 1041881001 |a 1055354999 |a 1064101757 |a 1078563299 |a 1081210043 |a 1101715850 |a 1103594296 |a 1109334356 |a 1110240985 |a 1112810361 |a 1119026358 |a 1126066629 |a 1154874601 |a 1156206683 |a 1162200624 |a 1172917099 |a 1180943774 |a 1190691799 |a 1290088448 | ||
| 020 | |a 9780292795297 |q (electronic bk.) | ||
| 020 | |a 0292795297 |q (electronic bk.) | ||
| 020 | |z 9780292713376 |q (alk. paper) | ||
| 020 | |z 0292713371 |q (alk. paper) | ||
| 020 | |z 9780292713383 |q (pbk. ; |q alk. paper) | ||
| 020 | |z 029271338X |q (pbk. ; |q alk. paper) | ||
| 029 | 1 | |a AU@ |b 000056659738 | |
| 029 | 1 | |a DEBBG |b BV044118325 | |
| 029 | 1 | |a NZ1 |b 12063442 | |
| 035 | |a (OCoLC)191953158 |z (OCoLC)155843176 |z (OCoLC)474269200 |z (OCoLC)608211227 |z (OCoLC)614978125 |z (OCoLC)637709645 |z (OCoLC)637709676 |z (OCoLC)648298264 |z (OCoLC)722592286 |z (OCoLC)728043208 |z (OCoLC)961537910 |z (OCoLC)962662806 |z (OCoLC)975687169 |z (OCoLC)988438449 |z (OCoLC)991915961 |z (OCoLC)1002186559 |z (OCoLC)1018045950 |z (OCoLC)1037915262 |z (OCoLC)1038548276 |z (OCoLC)1041881001 |z (OCoLC)1055354999 |z (OCoLC)1064101757 |z (OCoLC)1078563299 |z (OCoLC)1081210043 |z (OCoLC)1101715850 |z (OCoLC)1103594296 |z (OCoLC)1109334356 |z (OCoLC)1110240985 |z (OCoLC)1112810361 |z (OCoLC)1119026358 |z (OCoLC)1126066629 |z (OCoLC)1154874601 |z (OCoLC)1156206683 |z (OCoLC)1162200624 |z (OCoLC)1172917099 |z (OCoLC)1180943774 |z (OCoLC)1190691799 |z (OCoLC)1290088448 | ||
| 037 | |a 22573/ctt8w8fp |b JSTOR | ||
| 041 | 7 | |a eng |2 iso639-3 | |
| 042 | |a dlr | ||
| 050 | 4 | |a PN1998.3.H58 |b A68 2006eb | |
| 072 | 7 | |a PER |x 004010 |2 bisacsh | |
| 072 | 7 | |a PER004030 |2 bisacsh | |
| 082 | 0 | 4 | |a 791.43/0233092 |2 22 |
| 049 | |a UAMI | ||
| 245 | 0 | 0 | |a After Hitchcock : |b influence, imitation, and intertextuality / |c edited by David Boyd and R. Barton Palmer. |
| 250 | |a 1st ed. | ||
| 260 | |a Austin, Tex. : |b University of Texas Press, |c 2006. | ||
| 300 | |a 1 online resource (vi, 282 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Forever Hitchcock : Psycho and its remakes / Constantine Verevis -- Hitchcockian silence : Psycho and Jonathan Demme's The silence of the lambs / Lesley Brill -- Shadows of Shadow of a doubt / Adam Knee -- Psycho or psychic? Hitchcock, Dead again, and the paranormal / Ina Rae Hark -- The Hitchcock romance and the '70s paranoid thriller / R. Barton Palmer -- Exposing the lies of Hitchcock's truth / Walter Metz -- Red blood on white bread : Hitchcock, Chabrol, and French cinema / Richard Neupert -- "You're tellin' me you didn't see" : Hitchcock's Rear window and Antonioni's Blow-up / Frank P. Tomasulo -- Melo-thriller : Hitchcock, genre, and nationalism in Pedro Almodóvar's Women on the verge of a nervous breakdown / Ernesto R. Acevedo-Muñoz -- "Knowing too much" about Hitchcock : the genesis of the Italian Giallo / Philippe Met -- Death at work : Hitchcock's violence and spectator identification / Robert Sklar -- Hitchcock and the classical paradigm / John Belton -- How to steal from Hitchcock / Thomas M. Leitch. | |
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 520 | |a Alfred Hitchcock is arguably the most famous director to have ever made a film. Almost single-handedly he turned the suspense thriller into one of the most popular film genres of all time, while his Psycho updated the horror film and inspired two generations of directors to imitate and adapt this most Hitchcockian of movies. Yet while much scholarly and popular attention has focused on the director's oeuvre, until now there has been no extensive study of how Alfred Hitchcock's films and methods have affected and transformed the history of the film medium. In this book, thirteen original essays by leading film scholars reveal the richness and variety of Alfred Hitchcock's legacy as they trace his shaping influence on particular films, filmmakers, genres, and even on film criticism. Some essays concentrate on films that imitate Hitchcock in diverse ways, including the movies of Brian de Palma and thrillers such as True Lies, The Silence of the Lambs, and Dead Again. Other essays look at genres that have been influenced by Hitchcock's work, including the 1970s paranoid thriller, the Italian giallo film, and the post-Psycho horror film. The remaining essays investigate developments within film culture and academic film study, including the enthusiasm of French New Wave filmmakers for Hitchcock's work, his influence on the filmic representation of violence in the post-studio Hollywood era, and the ways in which his films have become central texts for film theorists. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Hitchcock, Alfred, |d 1899-1980 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Hitchcock, Alfred, |d 1899-1980 |x Influence. |
| 600 | 1 | 6 | |a Hitchcock, Alfred, |d 1899-1980 |x Critique et interprétation. |
| 600 | 1 | 6 | |a Hitchcock, Alfred, |d 1899-1980 |x Influence. |
| 600 | 1 | 7 | |a Hitchcock, Alfred, |d 1899-1980 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJwRV83CYGMBFP7BThRkDq |
| 600 | 1 | 7 | |a Hitchcock, Alfred. |2 swd |
| 650 | 0 | |a Thrillers (Motion pictures, television, etc.) |x History and criticism. | |
| 650 | 6 | |a Thrillers (Cinéma, télévision, etc.) | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Influence (Literary, artistic, etc.) |2 fast | |
| 650 | 7 | |a Rezeption |2 gnd | |
| 650 | 7 | |a Regissörer. |2 sfit | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Boyd, David, |d 1944- |1 https://id.oclc.org/worldcat/entity/E39PCjG8rbGmY3wxcc4k8K8JrC | |
| 700 | 1 | |a Palmer, R. Barton, |d 1946- |1 https://id.oclc.org/worldcat/entity/E39PBJmTjwFf3hhvftRfD6RVG3 | |
| 776 | 0 | 8 | |i Print version: |t After Hitchcock. |b 1st ed. |d Austin, Tex. : University of Texas Press, 2006 |w (DLC) 2006001351 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3443021 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL3443021 | ||
| 938 | |a ebrary |b EBRY |n ebr10185712 | ||
| 938 | |a EBSCOhost |b EBSC |n 190934 | ||
| 938 | |a Project MUSE |b MUSE |n muse2202 | ||
| 938 | |a YBP Library Services |b YANK |n 2590064 | ||
| 994 | |a 92 |b IZTAP | ||