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|a Laderman, David.
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|a Driving visions :
|b exploring the road movie /
|c by David Laderman.
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250 |
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|a 1st ed.
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260 |
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|a Austin, TX :
|b University of Texas Press,
|c 2002.
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300 |
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|a 1 online resource (322 pages) :
|b illustrations
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|a Includes bibliographical references (pages 297-302) and index.
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588 |
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|a Print version record.
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|a Paving the way -- blazing the trail -- drifting on empty -- blurrig the boundaries -- rebuilding the engine -- traveling other highways.
|
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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533 |
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
|
538 |
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
|
583 |
1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
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546 |
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|a English.
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|a From the visionary rebellion of Easy Rider to the reinvention of home in The Straight Story, the road movie has emerged as a significant film genre since the late 1960s, able to cut across a wide variety of film styles and contexts. Yet, within the variety, a certain generic core remains constant: the journey as cultural critique, as exploration beyond society and within oneself. This book traces the generic evolution of the road movie with respect to its diverse presentations, emphasizing it as an "independent genre" that attempts to incorporate marginality and subversion on many levels. David Laderman begins by identifying the road movie's defining features and by establishing the literary, classical Hollywood, and 1950s highway culture antecedents that formatively influenced it. He then traces the historical and aesthetic evolution of the road movie decade by decade through detailed and lively discussions of key films. Laderman concludes with a look at the European road movie, from the late 1950s.
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|a Auteurs through Godard and Wenders, and at compelling feminist road movies of the 1980s and 1990s. Book jacket.
|
590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
|
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|a Road films
|x History and criticism.
|
650 |
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|a Road movies
|x Histoire et critique.
|
650 |
|
7 |
|a 24.34 genres of film art.
|0 (NL-LeOCL)077601416
|2 bcl
|
650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
|
650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x General.
|2 bisacsh
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650 |
|
7 |
|a Road films
|2 fast
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|a Geschichte
|2 gnd
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|a Road movie
|2 gnd
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1 |
7 |
|a Roadmovies.
|2 gtt
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655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
758 |
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|i has work:
|a Driving visions (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGcGdwbc4bGYFXJvbq7FgC
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
776 |
0 |
8 |
|i Print version:
|a Laderman, David.
|t Driving visions.
|b 1st ed.
|d Austin, TX : University of Texas Press, 2002
|w (DLC) 2001008417
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3443131
|z Texto completo
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