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|a Private screenings :
|b television and the female consumer /
|c Lynn Spigel and Denise Mann, editors.
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|a Minneapolis :
|b University of Minnesota Press,
|c ©1992.
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|a 1 online resource (xiii, 293 pages) :
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|a A Camera obscura book
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|a An expanded version of issue no. 16, winter 1988, of Camera obscura.
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Introduction; Installing the Television Set: Popular Discourses on Television and Domestic Space, 1948-1955; The Spectacularization of Everyday Life: Recycling Hollywood Stars and Fans in Early Television Variety Shows; The Meaning of Memory: Family, Class, and Ethnicity in Early Network Television Programs; Sit-coms and Suburbs: Positioning the 1950s Homemaker; "Is This What You Mean by Color TV?": Race, Gender, and Contested Meanings in NBC's; Defining Women: The Case of Cagney and Lacey; Kate and Allie: "New Women" and the Audience's Television Archives.
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520 |
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|a Analyzes how television delivers definitions of ""femininity"" to its female audiences. Includes a source guide for television shows from 1946-1970. Contributors: Julie D'Acci, Sarah Berry, Aniko Bodroghkozy, Robert H. Deming, Dan Einstein, Sandy Flitterman-Lewis, Mary Beth Haralovich, Lynne Joyrich, William Lafferty, Nina Liebman, George Lipsitz, Denise Mann, Lynn Spigel, Jillian Steinberger and Randall Vogt
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|a ProQuest Ebook Central
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|a JSTOR
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|a Television and women
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|a Femmes à la télévision.
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|a Émissions féminines télévisées
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|a PERFORMING ARTS
|x Television
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|a Spigel, Lynn.
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|a Mann, Denise.
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|i Print version:
|t Private screenings.
|d Minneapolis : University of Minnesota Press, ©1992
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|a Camera obscura book.
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