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Film, drama and the break-up of Britain /
When the sun set on the British Empire, the resultant fragmentation of British identity emerged most tellingly in artistic works: cinematic works such as Howards End depicted a richly historical land steeped in tradition and tragedy, while the more modern Lock, Stock and Two Smoking Barrels revealed...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol, UK ; Chicago, USA :
Intellect,
2007.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Front Cover; Preliminaries; Contents; Acknowledgements; Chapter 1 Introduction; Chapter 2 Last Orders in Wonderland: England and Cinema; Chapter 3 Beyond 'Priests, Pigs and Poverty': Ireland and Cinema; Chapter 4 'We Can't Even Pick a Decent Country to be Colonised By': Scotland and Cinema; Chapter 5 'A Beautiful Mistake': Wales and Cinema; Chapter 6 'An Evaporation of Certainty': England and Theatre; Chapter 7 'Protestants Don't Write Plays, You See': Ireland and Theatre; Chapter 8 No More 'Cultural Cringe': Scotland and Theatre; Chapter 9 Behind 'the Façade of Cool Cymru': Wales and Theatre.