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|a 303199
|b Palgrave Macmillan
|n http://www.palgraveconnect.com
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|b .A75 2006eb
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|a 830.9/928709033
|2 22
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|a UAMI
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100 |
1 |
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|a Arons, Wendy,
|d 1964-
|e author.
|1 https://id.oclc.org/worldcat/entity/E39PBJfH49TQK3CYWbHKFcqG73
|
245 |
1 |
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|a Performance and femininity in eighteenth-century German women's writing :
|b the impossible act /
|c Wendy Arons.
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250 |
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|a 1st ed.
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260 |
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|a New York :
|b Palgrave Macmillan,
|c 2006.
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300 |
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|a 1 online resource (x, 270 pages)
|
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|a text
|b txt
|2 rdacontent
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1 |
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|a Palgrave studies in theatre and performance history
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|a Includes bibliographical references (pages 239-261) and index.
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588 |
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|a Print version record.
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|a "Sophie" and the "Theater" -- Performance as power : the history of Lady von Sternheim -- The performance of a lifetime: Karoline Schulze-Kummerfeld -- Antitheatricality and the public woman : Marianne Ehrmann's Amalie : a true story in letters -- The eye of the beholder: Elise Börger's "Aglaja" and F.H. Unger's Melanie, the Foundling -- Play's the thing: Sophie Mereau's "Marie" and "Flight to the city."
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|a In Performance and Femininity, Arons examines a series of texts by eighteenth-century German women in order to illuminate how women writers of the time used theater and performance both to investigate female subjectivity and to intervene in the dominant cultural discourse of femininity. Arons's study focuses on works featuring heroines who, for the most part?like their authors?lead lives with public dimensions, primarily by working as actresses. The texts she chooses all call attention to the difficulties that the eighteenth-century conception of the self as sincere and antitheatrical presented for women. By highlighting the fact that the social audience that determines a woman's reputation is almost always a fickle and untrustworthy "reader" of female subjectivity, these works expose the untenable position into which the discourse of sincerity placed women, paradoxically requiring them to perform the very naiveť that was, by definition, not supposed to be performable. Arons's original argument takes an interdisciplinary approach, drawing from the fields of literary criticism, cultural studies, theatre history, and performance studies, and reveals how these women writers exposed ideal femininity as an impossible act, even as they attempted to reproduce that act in their writing and in their lives.
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546 |
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|a English.
|
590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
|
0 |
|a Women authors, German
|y 18th century.
|
650 |
|
0 |
|a German literature
|x Women authors
|x History and criticism.
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650 |
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0 |
|a German literature
|y 18th century
|x History and criticism.
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650 |
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0 |
|a Performance in literature.
|
650 |
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0 |
|a Femininity in literature.
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650 |
|
6 |
|a Littérature allemande
|y 18e siècle
|x Histoire et critique.
|
650 |
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6 |
|a Rendement au travail dans la littérature.
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650 |
|
6 |
|a Féminité dans la littérature.
|
650 |
|
7 |
|a LITERARY CRITICISM
|x European
|x German.
|2 bisacsh
|
650 |
|
7 |
|a Femininity in literature
|2 fast
|
650 |
|
7 |
|a German literature
|2 fast
|
650 |
|
7 |
|a German literature
|x Women authors
|2 fast
|
650 |
|
7 |
|a Performance in literature
|2 fast
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650 |
|
7 |
|a Women authors, German
|2 fast
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648 |
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|a 1700-1799
|2 fast
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655 |
|
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|a Criticism, interpretation, etc.
|2 fast
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758 |
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|i has work:
|a Performance and femininity in eighteenth-century German women's writing (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFH4QKDbc3wqgkQCVxqyBd
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
776 |
0 |
8 |
|i Print version:
|a Arons, Wendy.
|t Performance and femininity in eighteenth-century German women's writing.
|b 1st ed.
|d New York : Palgrave Macmillan, 2006
|w (DLC) 2005056606
|
830 |
|
0 |
|a Palgrave studies in theatre and performance history.
|
856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=308026
|z Texto completo
|
938 |
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|a Internet Archive
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