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Performance and femininity in eighteenth-century German women's writing : the impossible act /

In Performance and Femininity, Arons examines a series of texts by eighteenth-century German women in order to illuminate how women writers of the time used theater and performance both to investigate female subjectivity and to intervene in the dominant cultural discourse of femininity. Arons's...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Arons, Wendy, 1964- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Palgrave Macmillan, 2006.
Edición:1st ed.
Colección:Palgrave studies in theatre and performance history.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Arons, Wendy,  |d 1964-  |e author.  |1 https://id.oclc.org/worldcat/entity/E39PBJfH49TQK3CYWbHKFcqG73 
245 1 0 |a Performance and femininity in eighteenth-century German women's writing :  |b the impossible act /  |c Wendy Arons. 
250 |a 1st ed. 
260 |a New York :  |b Palgrave Macmillan,  |c 2006. 
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504 |a Includes bibliographical references (pages 239-261) and index. 
588 0 |a Print version record. 
505 0 |a "Sophie" and the "Theater" -- Performance as power : the history of Lady von Sternheim -- The performance of a lifetime: Karoline Schulze-Kummerfeld -- Antitheatricality and the public woman : Marianne Ehrmann's Amalie : a true story in letters -- The eye of the beholder: Elise Börger's "Aglaja" and F.H. Unger's Melanie, the Foundling -- Play's the thing: Sophie Mereau's "Marie" and "Flight to the city." 
520 |a In Performance and Femininity, Arons examines a series of texts by eighteenth-century German women in order to illuminate how women writers of the time used theater and performance both to investigate female subjectivity and to intervene in the dominant cultural discourse of femininity. Arons's study focuses on works featuring heroines who, for the most part?like their authors?lead lives with public dimensions, primarily by working as actresses. The texts she chooses all call attention to the difficulties that the eighteenth-century conception of the self as sincere and antitheatrical presented for women. By highlighting the fact that the social audience that determines a woman's reputation is almost always a fickle and untrustworthy "reader" of female subjectivity, these works expose the untenable position into which the discourse of sincerity placed women, paradoxically requiring them to perform the very naiveť that was, by definition, not supposed to be performable. Arons's original argument takes an interdisciplinary approach, drawing from the fields of literary criticism, cultural studies, theatre history, and performance studies, and reveals how these women writers exposed ideal femininity as an impossible act, even as they attempted to reproduce that act in their writing and in their lives. 
546 |a English. 
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650 0 |a Women authors, German  |y 18th century. 
650 0 |a German literature  |x Women authors  |x History and criticism. 
650 0 |a German literature  |y 18th century  |x History and criticism. 
650 0 |a Performance in literature. 
650 0 |a Femininity in literature. 
650 6 |a Littérature allemande  |y 18e siècle  |x Histoire et critique. 
650 6 |a Rendement au travail dans la littérature. 
650 6 |a Féminité dans la littérature. 
650 7 |a LITERARY CRITICISM  |x European  |x German.  |2 bisacsh 
650 7 |a Femininity in literature  |2 fast 
650 7 |a German literature  |2 fast 
650 7 |a German literature  |x Women authors  |2 fast 
650 7 |a Performance in literature  |2 fast 
650 7 |a Women authors, German  |2 fast 
648 7 |a 1700-1799  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
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776 0 8 |i Print version:  |a Arons, Wendy.  |t Performance and femininity in eighteenth-century German women's writing.  |b 1st ed.  |d New York : Palgrave Macmillan, 2006  |w (DLC) 2005056606 
830 0 |a Palgrave studies in theatre and performance history. 
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