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|n Title subscribed to via ProQuest Academic Complete
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|a Campbell, Elizabeth A.,
|d 1945-
|1 https://id.oclc.org/worldcat/entity/E39PCjDBdGJVYjdbt46PBD96jC
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|a Fortune's wheel :
|b Dickens and the iconography of women's time /
|c Elizabeth A. Campbell.
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|a Athens :
|b Ohio University Press,
|c ©2003.
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|a 1 online resource (xxiii, 253 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
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|a Includes bibliographical references (pages 231-239) and index.
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|a The world of fortune -- Spring 1840-1849, the patriarch and the goddess -- Summer 1850-1853, mother Shipton's wheel of fortune -- Fall 1854-1859, minding the wheel -- Winter 1860, the world turned upside down.
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|a Print version record.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a English.
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|a "In the first half of the nineteenth century, England became quite literally a world on wheels. The sweeping technological changes wrought by the railways, steam-powered factory engines, and progressively more sophisticated wheeled conveyances of all types produced a corresponding revolution in Victorian iconography: the image of the wheel emerged as a dominant symbol of power, modernity, and progress." "Charles Dickens appropriated this symbol and made it central to his novels. Between 1840 and 1860, a transformation took place in Dickens's thinking about gender and time, and this revolution is recorded in iconographic representations of the goddess Fortune and wheel imagery that appear in his work." "Drawing on a history of both literary and visual representations of Fortune, Elizabeth Campbell argues that Dickens's contribution to both the iconographic and narrative traditions was to fuse the classical image of the wheel with the industrial one. Campbell's close reading of Dickens reveals that, as the wheel was increasingly identified as the official Victorian symbol for British industrial and economic progress, he reacted by employing this icon to represent a more pessimistic historical vision - as the tragic symbol for human fate in the nineteenth century."--BOOK JACKET.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a Dickens, Charles,
|d 1812-1870
|x Criticism and interpretation.
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|a Dickens, Charles,
|d 1812-1870
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|1 https://id.oclc.org/worldcat/entity/E39PBJpj8M9G8RjTPvBdJbPCwC
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|a Fate and fatalism in literature.
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|a Tragic, The, in literature.
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|a Fortune in literature.
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|a Wheels in literature.
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|a Women in literature.
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|a Time in literature.
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|a Destin et fatalisme dans la littérature.
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|a Tragique dans la littérature.
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|a Chance dans la littérature.
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|a Cycles dans la littérature.
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|a Femmes dans la littérature.
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|a Temps dans la littérature.
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|a Cycles in literature
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|a Fate and fatalism in literature
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|a Fortune in literature
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|a Time in literature
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|a Tragic, The, in literature
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|a Wheels in literature
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|a Women in literature
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|a Criticism, interpretation, etc.
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|i Print version:
|a Campbell, Elizabeth A., 1945-
|t Fortune's wheel.
|d Athens : Ohio University Press, ©2003
|w (DLC) 2003049891
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